TY  - JOUR
AU  - Taczyńska, Katarzyna
AU  - Pałubicka, Kamila
PY  - 2023
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2674
AB  - Taczyńska Katarzyna, Pałubicka Kamila, „Holocaust Emotion Cards: Project Presentation”, Poznańskie Studia Slawistyczne 24. Poznań 2023.  Wydawnictwo “Poznańskie Studia Polonistyczne”, Adam Mickiewicz University, Poznań, pp. 337-353. ISSN 2084-3011. The purpose of this article is to present the project “Holocaust Emotion Cards”, which was created as part of the course “Innovation and Entrepreneurship for Holocaust Memory”, run by Western Galilee College. In the first part of the presentation, we will present the assumptions and concepts of the project, as well as the process of creating the cards. In the second part, we will discuss the cards themselves and the way to use them in educational work.
AB  - Taczyńska Katarzyna, Pałubicka Kamila, „Holocaust Emotion Cards: Project Presentation”, Poznańskie Studia Slawistyczne 24. Poznań 2023.  Wydawnictwo “Poznańskie Studia Polonistyczne”, Adam Mickiewicz University, Poznań, pp. 337-353. ISSN 2084-3011. Svrha ovog članka je predstavljanje projekta „Kartice sa emocijama Holokausta“, koji je nastao u okviru kursa „Inovacija i preduzetništvo za pamćenje Holokausta“, koji vodi Western Galilee College. U prvom delu prezentacije predstavićemo pretpostavke i koncepte projekta, kao i proces izrade kartica. U drugom delu govorićemo o samim karticama i načinu njihovog korišćenja u vaspitno-obrazovnom radu.
PB  - Poznań : Poznańskie Studia Slawistyczne
T2  - Poznańskie studia Slawistyczne
T1  - Holocaust emotion cards: project presentation
T1  - Kartice sa emocijama Holokausta: prezentacija projekta
DO  - 10.14746/pss.2023.24.15
SP  - 337
EP  - 353
IS  - 24
ER  - 

@article{
author = "Taczyńska, Katarzyna and Pałubicka, Kamila",
year = "2023",
abstract = "Taczyńska Katarzyna, Pałubicka Kamila, „Holocaust Emotion Cards: Project Presentation”, Poznańskie Studia Slawistyczne 24. Poznań 2023.  Wydawnictwo “Poznańskie Studia Polonistyczne”, Adam Mickiewicz University, Poznań, pp. 337-353. ISSN 2084-3011. The purpose of this article is to present the project “Holocaust Emotion Cards”, which was created as part of the course “Innovation and Entrepreneurship for Holocaust Memory”, run by Western Galilee College. In the first part of the presentation, we will present the assumptions and concepts of the project, as well as the process of creating the cards. In the second part, we will discuss the cards themselves and the way to use them in educational work., Taczyńska Katarzyna, Pałubicka Kamila, „Holocaust Emotion Cards: Project Presentation”, Poznańskie Studia Slawistyczne 24. Poznań 2023.  Wydawnictwo “Poznańskie Studia Polonistyczne”, Adam Mickiewicz University, Poznań, pp. 337-353. ISSN 2084-3011. Svrha ovog članka je predstavljanje projekta „Kartice sa emocijama Holokausta“, koji je nastao u okviru kursa „Inovacija i preduzetništvo za pamćenje Holokausta“, koji vodi Western Galilee College. U prvom delu prezentacije predstavićemo pretpostavke i koncepte projekta, kao i proces izrade kartica. U drugom delu govorićemo o samim karticama i načinu njihovog korišćenja u vaspitno-obrazovnom radu.",
publisher = "Poznań : Poznańskie Studia Slawistyczne",
journal = "Poznańskie studia Slawistyczne",
title = "Holocaust emotion cards: project presentation, Kartice sa emocijama Holokausta: prezentacija projekta",
doi = "10.14746/pss.2023.24.15",
pages = "337-353",
number = "24"
}

Taczyńska, K.,& Pałubicka, K.. (2023). Holocaust emotion cards: project presentation. in Poznańskie studia Slawistyczne
Poznań : Poznańskie Studia Slawistyczne.(24), 337-353.
https://doi.org/10.14746/pss.2023.24.15

Taczyńska K, Pałubicka K. Holocaust emotion cards: project presentation. in Poznańskie studia Slawistyczne. 2023;(24):337-353.
doi:10.14746/pss.2023.24.15 .

Taczyńska, Katarzyna, Pałubicka, Kamila, "Holocaust emotion cards: project presentation" in Poznańskie studia Slawistyczne, no. 24 (2023):337-353,
https://doi.org/10.14746/pss.2023.24.15 . .

TY  - JOUR
AU  - Taczyńska, Katarzyna
PY  - 2023
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2715
AB  - The documented history of Jews in the Balkans can be traced back to the early Middle Ages and has been studied by researchers from diverse perspectives. Undoubtedly,
it is a vibrant, dynamic and tumultuous story, set at the crossroads of multiple intersecting cultures and social groups. Although the Second World War profoundly
impacted the Jewish world, it did not bring about its end.
AB  - Dokumentovana istorija Jevreja na Balkanu može se pratiti do ranog srednjeg veka i istraživači su je proučavali iz različitih perspektiva. Bez sumnje, to je živa, dinamična i burna priča, smeštena na raskrsnici višestrukih ukrštanih kultura i društvenih grupa. Iako je Drugi svetski rat duboko uticao na jevrejski svet, nije značio i njegov kraj.
PB  - Wrocław : Kolegium Europy Wschodniej im. Jana Nowaka-Jeziorańskiego we Wrocławiu
T2  - New Eastern Europe
T1  - Multilingual and multiple minorities. Who are the Balkan Jews?
T1  - Višejezične i višestruke manjine. Ko su balkanski Jevreji?
SP  - 182
EP  - 188
IS  - 5
VL  - 58
UR  - https://hdl.handle.net/21.15107/rcub_jdb_2715
ER  - 

@article{
author = "Taczyńska, Katarzyna",
year = "2023",
abstract = "The documented history of Jews in the Balkans can be traced back to the early Middle Ages and has been studied by researchers from diverse perspectives. Undoubtedly,
it is a vibrant, dynamic and tumultuous story, set at the crossroads of multiple intersecting cultures and social groups. Although the Second World War profoundly
impacted the Jewish world, it did not bring about its end., Dokumentovana istorija Jevreja na Balkanu može se pratiti do ranog srednjeg veka i istraživači su je proučavali iz različitih perspektiva. Bez sumnje, to je živa, dinamična i burna priča, smeštena na raskrsnici višestrukih ukrštanih kultura i društvenih grupa. Iako je Drugi svetski rat duboko uticao na jevrejski svet, nije značio i njegov kraj.",
publisher = "Wrocław : Kolegium Europy Wschodniej im. Jana Nowaka-Jeziorańskiego we Wrocławiu",
journal = "New Eastern Europe",
title = "Multilingual and multiple minorities. Who are the Balkan Jews?, Višejezične i višestruke manjine. Ko su balkanski Jevreji?",
pages = "182-188",
number = "5",
volume = "58",
url = "https://hdl.handle.net/21.15107/rcub_jdb_2715"
}

Taczyńska, K.. (2023). Multilingual and multiple minorities. Who are the Balkan Jews?. in New Eastern Europe
Wrocław : Kolegium Europy Wschodniej im. Jana Nowaka-Jeziorańskiego we Wrocławiu., 58(5), 182-188.
https://hdl.handle.net/21.15107/rcub_jdb_2715

Taczyńska K. Multilingual and multiple minorities. Who are the Balkan Jews?. in New Eastern Europe. 2023;58(5):182-188.
https://hdl.handle.net/21.15107/rcub_jdb_2715 .

Taczyńska, Katarzyna, "Multilingual and multiple minorities. Who are the Balkan Jews?" in New Eastern Europe, 58, no. 5 (2023):182-188,
https://hdl.handle.net/21.15107/rcub_jdb_2715 .

TY  - JOUR
AU  - Taczyńska, Katarzyna
PY  - 2023
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2682
AB  - The review discusses the 80th anniversary of the Warsaw Ghetto Uprising’s celebrations in Poland.
AB  - Recenzija govori o obeležavanju 80. godišnjice ustanka u Varšavskom getu u Poljskoj.
PB  - Berlin : De Gruyter
T2  - Eastern European Holocaust Studies
T1  - The 80th anniversary of the Warsaw ghetto uprising: an attempt at a summary
T1  - 80. godišnjica ustanka u Varšavskom getu: pokušaj rezimea
DO  - 10.1515/eehs-2023-0023
SP  - 1
EP  - 5
IS  - 1
VL  - 1
ER  - 

@article{
author = "Taczyńska, Katarzyna",
year = "2023",
abstract = "The review discusses the 80th anniversary of the Warsaw Ghetto Uprising’s celebrations in Poland., Recenzija govori o obeležavanju 80. godišnjice ustanka u Varšavskom getu u Poljskoj.",
publisher = "Berlin : De Gruyter",
journal = "Eastern European Holocaust Studies",
title = "The 80th anniversary of the Warsaw ghetto uprising: an attempt at a summary, 80. godišnjica ustanka u Varšavskom getu: pokušaj rezimea",
doi = "10.1515/eehs-2023-0023",
pages = "1-5",
number = "1",
volume = "1"
}

Taczyńska, K.. (2023). The 80th anniversary of the Warsaw ghetto uprising: an attempt at a summary. in Eastern European Holocaust Studies
Berlin : De Gruyter., 1(1), 1-5.
https://doi.org/10.1515/eehs-2023-0023

Taczyńska K. The 80th anniversary of the Warsaw ghetto uprising: an attempt at a summary. in Eastern European Holocaust Studies. 2023;1(1):1-5.
doi:10.1515/eehs-2023-0023 .

Taczyńska, Katarzyna, "The 80th anniversary of the Warsaw ghetto uprising: an attempt at a summary" in Eastern European Holocaust Studies, 1, no. 1 (2023):1-5,
https://doi.org/10.1515/eehs-2023-0023 . .

TY  - JOUR
AU  - Taczyńska, Katarzyna
AU  - Twardowska, Aleksandra
PY  - 2020
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2676
AB  - Kobiece narracje, związane z transferem wiedzy, mogą stanowić interesujący klucz w interpretacji dziedzictwa judaizmu w wielopoziomowym kontekście kultur bałkańskich. Zapoczątkowany w tradycyjnych bałkańskich społecznościach żydowskich transfer wiedzy (tradycji) odbywał się w różnych ośrodkach i w różnych czasach, przede wszystkim za pośrednictwem żydowskich kobiet różnego pochodzenia (sefardyjskich lub aszkenazyjskich). W XX w. problem ten można rozpatrywać przynajmniej na dwóch poziomach, z których oba stanowią fascynujące połączenie idei emancypacyjnych
i tradycyjnych wzorców zachowań. Pierwszą grupę mediatorek wiedzy można odnaleźć w mniejszości sefardyjskiej przed II wojną światową. Drugą grupę stanowią kobiety żydowskie, którym udało się przetrwać Holokaust i które - pomimo trudnej sytuacji społeczno-politycznej - postanowiły zająć się badaniem historii bałkańskich Żydów lub udokumentować ich kulturę, chociaż większość z nich nie miała (formalnie) profesjonalnego przygotowania do takich działań. W tekście przedstawiamy krótkie biografie i działania kobiet z drugiej grupy. Wśród nich możemy znaleźć badaczki i popularyzatorki kultury, które używały różnych języków i swoje działania kierowały do różnych grup odbiorców. Nasz tekst koncentruje się na kobietach, które pracowały za granicą. Interesują nas nie tylko wspólne wzorce i kody, ale także różnice w modelach przekazywania wiedzy (i tradycji) przez bałkańskie Żydówki pochodzenia sefardyjskiego lub aszkenazyjskiego.
AB  - Female narrative connected with the transfer of knowledge can be an interesting key if applied to interpreting the legacy of Judaism in the multi-level context of Balkan cultures. Originating in the traditional Balkan Jewish communities, the transfer of knowledge (tradition) has been carried out in various centres and at different times, mediated mainly by Jewish women of various origins (Sephardic or Ashkenazi). In twentieth-century history, this problem can be considered at least at two levels, both of which present a fascinating intersection of emancipation ideas and traditional patterns of behaviour. The first group of female mediators of knowledge can be found within the Sephardi minority before World War II. The second group is represented by Jewish women who managed to survive the Holocaust and - despite the difficult socio-political situation - decided to research the history of the Balkan Jews or document their culture even though most of them lacked formal and professional training for such tasks. In the text, we present short biographies and life work of women from the second group. Among them, we can find researchers and popularisers of culture who used various languages and worked for various groups of recipients. Our text is focused on the women who worked abroad. We are interested not only in common patterns and codes but also in variations in the models of transfer of knowledge and tradition by the Balkan Jewish women of Sephardic or Ashkenazi origins.
AB  - Ženski narativ povezan sa prenošenjem znanja može biti zanimljiv ključ ako se primeni na tumačenje nasleđa judaizma u višeslojnom kontekstu balkanskih kultura. Poreklom iz tradicionalnih balkanskih jevrejskih zajednica, prenošenje znanja (tradicije) odvijalo se u različitim centrima i u različito vreme, uz posredovanje uglavnom Jevrejki različitog porekla (sefardskog ili aškenaskog). U istoriji dvadesetog veka, ovaj problem se može posmatrati najmanje na dva nivoa, od kojih oba predstavljaju fascinantan presek ideja emancipacije i tradicionalnih obrazaca ponašanja. Prva grupa žena posrednica znanja nalazi se u sefardskoj manjini pre Drugog svetskog rata. Drugu grupu predstavljaju Jevrejke koje su uspele da prežive Holokaust i - uprkos teškoj društveno-političkoj situaciji - odlučile su da istraže istoriju balkanskih Jevreja ili dokumentuju njihovu kulturu iako većina nije bilo formalno i stručno osposobljena za takve zadatke. U tekstu predstavljamo kratke biografije i životno delo žena iz druge grupe. Među njima možemo naći istraživače i popularizatore kulture koje su koristile različite jezike i radile za različite grupe primalaca. Naš tekst je fokusiran na žene koje su radile u inostranstvu. Ne zanimaju nas samo uobičajeni obrasci i kodovi, već i varijacije u modelima prenošenja znanja i tradicije od strane balkanskih Jevrejki sefardskog ili aškenaskog porekla.
PB  - Toruń : Archives of Polish Emigration at the University Library in Toruń
T2  - Archiwum emigracji
T1  - Płeć emigracji. Bałkańskie Żydówki jako mediatorki wiedzy
T1  - Gender of emigration. Balkan Jewish women as mediators of knowledge
T1  - Pol emigracije. Balkanske Jevrejke kao posrednice znanja
DO  - 10.12775/AE.2020.009
SP  - 125
EP  - 139
IS  - 28
ER  - 

@article{
author = "Taczyńska, Katarzyna and Twardowska, Aleksandra",
year = "2020",
abstract = "Kobiece narracje, związane z transferem wiedzy, mogą stanowić interesujący klucz w interpretacji dziedzictwa judaizmu w wielopoziomowym kontekście kultur bałkańskich. Zapoczątkowany w tradycyjnych bałkańskich społecznościach żydowskich transfer wiedzy (tradycji) odbywał się w różnych ośrodkach i w różnych czasach, przede wszystkim za pośrednictwem żydowskich kobiet różnego pochodzenia (sefardyjskich lub aszkenazyjskich). W XX w. problem ten można rozpatrywać przynajmniej na dwóch poziomach, z których oba stanowią fascynujące połączenie idei emancypacyjnych
i tradycyjnych wzorców zachowań. Pierwszą grupę mediatorek wiedzy można odnaleźć w mniejszości sefardyjskiej przed II wojną światową. Drugą grupę stanowią kobiety żydowskie, którym udało się przetrwać Holokaust i które - pomimo trudnej sytuacji społeczno-politycznej - postanowiły zająć się badaniem historii bałkańskich Żydów lub udokumentować ich kulturę, chociaż większość z nich nie miała (formalnie) profesjonalnego przygotowania do takich działań. W tekście przedstawiamy krótkie biografie i działania kobiet z drugiej grupy. Wśród nich możemy znaleźć badaczki i popularyzatorki kultury, które używały różnych języków i swoje działania kierowały do różnych grup odbiorców. Nasz tekst koncentruje się na kobietach, które pracowały za granicą. Interesują nas nie tylko wspólne wzorce i kody, ale także różnice w modelach przekazywania wiedzy (i tradycji) przez bałkańskie Żydówki pochodzenia sefardyjskiego lub aszkenazyjskiego., Female narrative connected with the transfer of knowledge can be an interesting key if applied to interpreting the legacy of Judaism in the multi-level context of Balkan cultures. Originating in the traditional Balkan Jewish communities, the transfer of knowledge (tradition) has been carried out in various centres and at different times, mediated mainly by Jewish women of various origins (Sephardic or Ashkenazi). In twentieth-century history, this problem can be considered at least at two levels, both of which present a fascinating intersection of emancipation ideas and traditional patterns of behaviour. The first group of female mediators of knowledge can be found within the Sephardi minority before World War II. The second group is represented by Jewish women who managed to survive the Holocaust and - despite the difficult socio-political situation - decided to research the history of the Balkan Jews or document their culture even though most of them lacked formal and professional training for such tasks. In the text, we present short biographies and life work of women from the second group. Among them, we can find researchers and popularisers of culture who used various languages and worked for various groups of recipients. Our text is focused on the women who worked abroad. We are interested not only in common patterns and codes but also in variations in the models of transfer of knowledge and tradition by the Balkan Jewish women of Sephardic or Ashkenazi origins., Ženski narativ povezan sa prenošenjem znanja može biti zanimljiv ključ ako se primeni na tumačenje nasleđa judaizma u višeslojnom kontekstu balkanskih kultura. Poreklom iz tradicionalnih balkanskih jevrejskih zajednica, prenošenje znanja (tradicije) odvijalo se u različitim centrima i u različito vreme, uz posredovanje uglavnom Jevrejki različitog porekla (sefardskog ili aškenaskog). U istoriji dvadesetog veka, ovaj problem se može posmatrati najmanje na dva nivoa, od kojih oba predstavljaju fascinantan presek ideja emancipacije i tradicionalnih obrazaca ponašanja. Prva grupa žena posrednica znanja nalazi se u sefardskoj manjini pre Drugog svetskog rata. Drugu grupu predstavljaju Jevrejke koje su uspele da prežive Holokaust i - uprkos teškoj društveno-političkoj situaciji - odlučile su da istraže istoriju balkanskih Jevreja ili dokumentuju njihovu kulturu iako većina nije bilo formalno i stručno osposobljena za takve zadatke. U tekstu predstavljamo kratke biografije i životno delo žena iz druge grupe. Među njima možemo naći istraživače i popularizatore kulture koje su koristile različite jezike i radile za različite grupe primalaca. Naš tekst je fokusiran na žene koje su radile u inostranstvu. Ne zanimaju nas samo uobičajeni obrasci i kodovi, već i varijacije u modelima prenošenja znanja i tradicije od strane balkanskih Jevrejki sefardskog ili aškenaskog porekla.",
publisher = "Toruń : Archives of Polish Emigration at the University Library in Toruń",
journal = "Archiwum emigracji",
title = "Płeć emigracji. Bałkańskie Żydówki jako mediatorki wiedzy, Gender of emigration. Balkan Jewish women as mediators of knowledge, Pol emigracije. Balkanske Jevrejke kao posrednice znanja",
doi = "10.12775/AE.2020.009",
pages = "125-139",
number = "28"
}

Taczyńska, K.,& Twardowska, A.. (2020). Płeć emigracji. Bałkańskie Żydówki jako mediatorki wiedzy. in Archiwum emigracji
Toruń : Archives of Polish Emigration at the University Library in Toruń.(28), 125-139.
https://doi.org/10.12775/AE.2020.009

Taczyńska K, Twardowska A. Płeć emigracji. Bałkańskie Żydówki jako mediatorki wiedzy. in Archiwum emigracji. 2020;(28):125-139.
doi:10.12775/AE.2020.009 .

Taczyńska, Katarzyna, Twardowska, Aleksandra, "Płeć emigracji. Bałkańskie Żydówki jako mediatorki wiedzy" in Archiwum emigracji, no. 28 (2020):125-139,
https://doi.org/10.12775/AE.2020.009 . .

TY  - JOUR
AU  - Twardowska, Aleksandra
AU  - Taczyńska, Katarzyna
PY  - 2020
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2677
AB  - The 9th issue of Colloquia Humanistica focuses in its entirety on Jewish/non-Jewish contacts. The papers, presentations of materials, discussions and reviews all share the theme of the entangled history of cohabitation. Still, deconstructed on multiple layers of geography, ethnicity, research domain and methodology, the title’s “encounters” make for varied reading.
AB  - Deveti broj Colloquia Humanistica se u potpunosti fokusira na jevrejske/nejevrejske kontakte. Radovi, prezentacije materijala, diskusije i pregledi dele temu zamršene istorije kohabitacije. Ipak, dekonstruisan na više slojeva geografije, etničke pripadnosti, istraživačkog domena i metodologije, „susreti“ naslova omogućavaju raznovrsno čitanje.
PB  - Warszawa : Institute of Slavic Studies, Polish Academy of Sciences
T2  - Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]
T1  - Sephardim, Ashkenazim and Non-Jewish Peoples: encounters across Europe
T1  - Sefardi, Aškenazi i nejevrejski narodi: susreti širom Evrope
DO  - 10.11649/ch.2020.002
SP  - 6
EP  - 12
IS  - 9
ER  - 

@article{
author = "Twardowska, Aleksandra and Taczyńska, Katarzyna",
year = "2020",
abstract = "The 9th issue of Colloquia Humanistica focuses in its entirety on Jewish/non-Jewish contacts. The papers, presentations of materials, discussions and reviews all share the theme of the entangled history of cohabitation. Still, deconstructed on multiple layers of geography, ethnicity, research domain and methodology, the title’s “encounters” make for varied reading., Deveti broj Colloquia Humanistica se u potpunosti fokusira na jevrejske/nejevrejske kontakte. Radovi, prezentacije materijala, diskusije i pregledi dele temu zamršene istorije kohabitacije. Ipak, dekonstruisan na više slojeva geografije, etničke pripadnosti, istraživačkog domena i metodologije, „susreti“ naslova omogućavaju raznovrsno čitanje.",
publisher = "Warszawa : Institute of Slavic Studies, Polish Academy of Sciences",
journal = "Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]",
title = "Sephardim, Ashkenazim and Non-Jewish Peoples: encounters across Europe, Sefardi, Aškenazi i nejevrejski narodi: susreti širom Evrope",
doi = "10.11649/ch.2020.002",
pages = "6-12",
number = "9"
}

Twardowska, A.,& Taczyńska, K.. (2020). Sephardim, Ashkenazim and Non-Jewish Peoples: encounters across Europe. in Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]
Warszawa : Institute of Slavic Studies, Polish Academy of Sciences.(9), 6-12.
https://doi.org/10.11649/ch.2020.002

Twardowska A, Taczyńska K. Sephardim, Ashkenazim and Non-Jewish Peoples: encounters across Europe. in Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]. 2020;(9):6-12.
doi:10.11649/ch.2020.002 .

Twardowska, Aleksandra, Taczyńska, Katarzyna, "Sephardim, Ashkenazim and Non-Jewish Peoples: encounters across Europe" in Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe], no. 9 (2020):6-12,
https://doi.org/10.11649/ch.2020.002 . .

TY  - JOUR
AU  - Taczyńska, Katarzyna
PY  - 2020
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2672
AB  - The review presents the monograph "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)" [Kol ishe: The Voice of Women in Yiddish Poetry (from the 16th Century to 1939)], published in 2018 by Joanna Lisek. The article focuses on the main topic of the monograph - the literary voices of women within Yiddish culture - and its historical, social and literary framework.
AB  - U prikazu je predstavljena monografija Joanna Lisek „Kol isze - głos kobiet v poezji jidisz (od XVI v. do 1939 r.)“ [Kol ishe: The Voice of Vomen in Jidish Poetri (from the 16th Centuri to 1939)], objavljena 2018. Članak se fokusira na glavnu temu monografije - književni glasovi žena unutar jidiš kulture - i njen istorijski, društveni i književni okvir.
AB  - Celem recenzji jest prezentacja wydanej w 2018 r. monografii Joanny Lisek "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Omówienie koncentruje się na głównym temacie publikacji - literackich głosach kobiet z kręgu kultury jidysz - oraz jego historycznych, społecznych i literackich ramach.
PB  - Warsaw : Institute of Slavic studies of the Polish academy of sciences
T2  - Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]
T1  - The feminine sphere of Yiddish heritage. Review of the book: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze
T1  - Ženska sfera jidiš nasleđa. Prikaz knjige: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze
DO  - 10.11649/ch.2020.016
IS  - 9
ER  - 

@article{
author = "Taczyńska, Katarzyna",
year = "2020",
abstract = "The review presents the monograph "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)" [Kol ishe: The Voice of Women in Yiddish Poetry (from the 16th Century to 1939)], published in 2018 by Joanna Lisek. The article focuses on the main topic of the monograph - the literary voices of women within Yiddish culture - and its historical, social and literary framework., U prikazu je predstavljena monografija Joanna Lisek „Kol isze - głos kobiet v poezji jidisz (od XVI v. do 1939 r.)“ [Kol ishe: The Voice of Vomen in Jidish Poetri (from the 16th Centuri to 1939)], objavljena 2018. Članak se fokusira na glavnu temu monografije - književni glasovi žena unutar jidiš kulture - i njen istorijski, društveni i književni okvir., Celem recenzji jest prezentacja wydanej w 2018 r. monografii Joanny Lisek "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Omówienie koncentruje się na głównym temacie publikacji - literackich głosach kobiet z kręgu kultury jidysz - oraz jego historycznych, społecznych i literackich ramach.",
publisher = "Warsaw : Institute of Slavic studies of the Polish academy of sciences",
journal = "Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]",
title = "The feminine sphere of Yiddish heritage. Review of the book: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze, Ženska sfera jidiš nasleđa. Prikaz knjige: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze",
doi = "10.11649/ch.2020.016",
number = "9"
}

Taczyńska, K.. (2020). The feminine sphere of Yiddish heritage. Review of the book: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze. in Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]
Warsaw : Institute of Slavic studies of the Polish academy of sciences.(9).
https://doi.org/10.11649/ch.2020.016

Taczyńska K. The feminine sphere of Yiddish heritage. Review of the book: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze. in Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe]. 2020;(9).
doi:10.11649/ch.2020.016 .

Taczyńska, Katarzyna, "The feminine sphere of Yiddish heritage. Review of the book: Joanna Lisek (2018), "Kol isze - głos kobiet w poezji jidysz (od XVI w. do 1939 r.)". Sejny: Wydawnictwo Pogranicze" in Colloquia Humanistica [Sephardim, Ashkenazim and Non-Jewish Peoples: Encounters Across Europe], no. 9 (2020),
https://doi.org/10.11649/ch.2020.016 . .

TY  - CHAP
AU  - Taczyńska, Katarzyna
PY  - 2020
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2671
AB  - The chapter analyzes personal documents: diaries and memoirs written mostly during World War II by Lea Abinun Salcberger and Ervin Salcberger. These texts, edited by Danilo Šarenac and Ivana Pantelić, were published almost 70 years after their creation - in 2013, as the book " Two Halves of Memory: Partisan Diaries as a Source for the History of World War II”. Both Lea, a Sephardic Jew from Sarajevo, and Ervin, an Ashkenazi Jew born in Pale, joined the partisan movement in which, although separated, they were active participants. Although they both lost most of their family during the Holocaust (in Jasenovac and Staro Sajmište concentration camps), they survived the war, got married and lived together in Belgrade. Their autobiographical texts document the sociopolitical situation of the war in Yugoslavia, the everyday life of partisans, and the private microhistory of the protagonists. The gender approach used in the analysis of the image of WWII aims to confront the two culturally determined visions - male and female - organizing the structure and semantic layer of texts. As a result, we can see that history is a type of narrative, a cultural construct that is not gender-neutral (Ubertowska 2015). Written in these “inconspicuous texts” (Jerzy Strzelczyk, Inga Iwasiów), the images of memory counterbalance one another, but they also interestingly complement each other.
AB  - W niniejszym rozdziale analizuję powstałe głównie w czasie drugiej wojny światowej dokumenty osobiste: dzienniki i wspomnienia autorstwa Lei Abinun Salcberger i Ervina Salcbergera. Teksty te w opracowaniu Danilo Šarenaca i Ivany Pantelić zostały opublikowane prawie 70 lat po powstaniu, w 2013 r. w książce Dve polovine sećanja. Partizanski dnevnici kao izvor za istoriju Drugog svetskog rata. Lea, pochodząca z Sarajewa Sefardyjka, i Ervin, urodzony w Pale Żyd aszkenazyjski, byli uczestnikami ruchu partyzanckiego, w którym, choć rozdzieleni, aktywnie działali. Choć oboje stracili większość rodziny w czasie Holokaustu
(obóz Jasenovac i Staro Sajmište), oni sami wojnę przeżyli, pobrali się i żyli razem w Belgradzie. Ich autobiograficzne teksty dokumentują zarówno społeczno-polityczną sytuację wojny w Jugosławii, codzienne życie partyzantów, jak i prywatną mikrohistorię swoich bohaterów. Wykorzystywane w analizie obrazu drugiej wojny światowej podejście genderowe ma na celu konfrontację dwóch zdeterminowanych kulturowo wizji – męskiej i żeńskiej, organizujących strukturę oraz warstwę semantyczną tekstów. W rezultacie widzimy,
że historia to przede wszystkim narracja, kulturowy konstrukt, który nie jest neutralny genderowo (Ubertowska 2015). Zapisane w tych „tekstach niepozornych” (Jerzy Strzelczyk, Inga Iwasiów) obrazy pamięci stanowią dla siebie przeciwwagę, ale również w ciekawy sposób dopełniają się.
AB  - U poglavlju se analiziraju lični dokumenti: dnevnici i memoari koje su uglavnom pisali Lea Abinun Salcberger i Ervin Salcberger tokom Drugog svetskog rata. Ovi tekstovi, koje su uredili Danilo Šarenac i Ivana Pantelić, objavljeni su skoro 70 godina od nastanka - 2013. godine, kao knjiga „Dve polovine sećanja. Partizanski dnevnici kao izvor za istoriju Drugog svetskog rata. I Lea, sefardska Jevrejka iz Sarajeva, i Ervin, Jevrejin Aškenazi rođen na Palama, stupili su u partizanski pokret u kome su, iako razdvojeni, bili aktivni učesnici. Iako su oboje izgubili većinu porodice tokom Holokausta (u logorima Jasenovac i Staro Sajmište), preživeli su rat, venčali se i zajedno živeli u Beogradu. Njihovi autobiografski tekstovi dokumentuju društveno-političku situaciju rata u Jugoslaviji, svakodnevicu partizana i privatnu mikroistoriju protagonista. Rodni pristup koji se koristi u analizi slike Drugog svetskog rata ima za cilj da suprotstavi dve kulturološki određene vizije - mušku i žensku - organizujući strukturu i semantički sloj teksta. Kao rezultat toga, možemo videti da je istorija tip narativa, kulturni konstrukt koji nije rodno neutralan (Ubertowska 2015). Napisane u ovim „neupadljivim tekstovima“ (Jerzi Strzelczik, Inga Ivasiov), slike sećanja su jedna drugoj protivteža, ali se i zanimljivo dopunjuju.
PB  - [S. l.] : Südosteuropa
T2  - The Balkan Jews and the Minority Issue in South-Eastern Europe
T1  - Counterpointing of memory: the image of World War II in the diaries of Lea Salcberger and Ervin Salcberger
T1  - Kontrapunkty pamięci: obraz drugiej wojny światowej w dziennikach Lei Salcberger i Ervina Salcbergera
T1  - Kontrapunkt sećanja: Slika Drugog svetskog rata u dnevnicima Lee Salcberger i Ervina Salcbergera
SP  - 1
EP  - 16
UR  - https://hdl.handle.net/21.15107/rcub_jdb_2671
ER  - 

@inbook{
author = "Taczyńska, Katarzyna",
year = "2020",
abstract = "The chapter analyzes personal documents: diaries and memoirs written mostly during World War II by Lea Abinun Salcberger and Ervin Salcberger. These texts, edited by Danilo Šarenac and Ivana Pantelić, were published almost 70 years after their creation - in 2013, as the book " Two Halves of Memory: Partisan Diaries as a Source for the History of World War II”. Both Lea, a Sephardic Jew from Sarajevo, and Ervin, an Ashkenazi Jew born in Pale, joined the partisan movement in which, although separated, they were active participants. Although they both lost most of their family during the Holocaust (in Jasenovac and Staro Sajmište concentration camps), they survived the war, got married and lived together in Belgrade. Their autobiographical texts document the sociopolitical situation of the war in Yugoslavia, the everyday life of partisans, and the private microhistory of the protagonists. The gender approach used in the analysis of the image of WWII aims to confront the two culturally determined visions - male and female - organizing the structure and semantic layer of texts. As a result, we can see that history is a type of narrative, a cultural construct that is not gender-neutral (Ubertowska 2015). Written in these “inconspicuous texts” (Jerzy Strzelczyk, Inga Iwasiów), the images of memory counterbalance one another, but they also interestingly complement each other., W niniejszym rozdziale analizuję powstałe głównie w czasie drugiej wojny światowej dokumenty osobiste: dzienniki i wspomnienia autorstwa Lei Abinun Salcberger i Ervina Salcbergera. Teksty te w opracowaniu Danilo Šarenaca i Ivany Pantelić zostały opublikowane prawie 70 lat po powstaniu, w 2013 r. w książce Dve polovine sećanja. Partizanski dnevnici kao izvor za istoriju Drugog svetskog rata. Lea, pochodząca z Sarajewa Sefardyjka, i Ervin, urodzony w Pale Żyd aszkenazyjski, byli uczestnikami ruchu partyzanckiego, w którym, choć rozdzieleni, aktywnie działali. Choć oboje stracili większość rodziny w czasie Holokaustu
(obóz Jasenovac i Staro Sajmište), oni sami wojnę przeżyli, pobrali się i żyli razem w Belgradzie. Ich autobiograficzne teksty dokumentują zarówno społeczno-polityczną sytuację wojny w Jugosławii, codzienne życie partyzantów, jak i prywatną mikrohistorię swoich bohaterów. Wykorzystywane w analizie obrazu drugiej wojny światowej podejście genderowe ma na celu konfrontację dwóch zdeterminowanych kulturowo wizji – męskiej i żeńskiej, organizujących strukturę oraz warstwę semantyczną tekstów. W rezultacie widzimy,
że historia to przede wszystkim narracja, kulturowy konstrukt, który nie jest neutralny genderowo (Ubertowska 2015). Zapisane w tych „tekstach niepozornych” (Jerzy Strzelczyk, Inga Iwasiów) obrazy pamięci stanowią dla siebie przeciwwagę, ale również w ciekawy sposób dopełniają się., U poglavlju se analiziraju lični dokumenti: dnevnici i memoari koje su uglavnom pisali Lea Abinun Salcberger i Ervin Salcberger tokom Drugog svetskog rata. Ovi tekstovi, koje su uredili Danilo Šarenac i Ivana Pantelić, objavljeni su skoro 70 godina od nastanka - 2013. godine, kao knjiga „Dve polovine sećanja. Partizanski dnevnici kao izvor za istoriju Drugog svetskog rata. I Lea, sefardska Jevrejka iz Sarajeva, i Ervin, Jevrejin Aškenazi rođen na Palama, stupili su u partizanski pokret u kome su, iako razdvojeni, bili aktivni učesnici. Iako su oboje izgubili većinu porodice tokom Holokausta (u logorima Jasenovac i Staro Sajmište), preživeli su rat, venčali se i zajedno živeli u Beogradu. Njihovi autobiografski tekstovi dokumentuju društveno-političku situaciju rata u Jugoslaviji, svakodnevicu partizana i privatnu mikroistoriju protagonista. Rodni pristup koji se koristi u analizi slike Drugog svetskog rata ima za cilj da suprotstavi dve kulturološki određene vizije - mušku i žensku - organizujući strukturu i semantički sloj teksta. Kao rezultat toga, možemo videti da je istorija tip narativa, kulturni konstrukt koji nije rodno neutralan (Ubertowska 2015). Napisane u ovim „neupadljivim tekstovima“ (Jerzi Strzelczik, Inga Ivasiov), slike sećanja su jedna drugoj protivteža, ali se i zanimljivo dopunjuju.",
publisher = "[S. l.] : Südosteuropa",
journal = "The Balkan Jews and the Minority Issue in South-Eastern Europe",
booktitle = "Counterpointing of memory: the image of World War II in the diaries of Lea Salcberger and Ervin Salcberger, Kontrapunkty pamięci: obraz drugiej wojny światowej w dziennikach Lei Salcberger i Ervina Salcbergera, Kontrapunkt sećanja: Slika Drugog svetskog rata u dnevnicima Lee Salcberger i Ervina Salcbergera",
pages = "1-16",
url = "https://hdl.handle.net/21.15107/rcub_jdb_2671"
}

Taczyńska, K.. (2020). Counterpointing of memory: the image of World War II in the diaries of Lea Salcberger and Ervin Salcberger. in The Balkan Jews and the Minority Issue in South-Eastern Europe
[S. l.] : Südosteuropa., 1-16.
https://hdl.handle.net/21.15107/rcub_jdb_2671

Taczyńska K. Counterpointing of memory: the image of World War II in the diaries of Lea Salcberger and Ervin Salcberger. in The Balkan Jews and the Minority Issue in South-Eastern Europe. 2020;:1-16.
https://hdl.handle.net/21.15107/rcub_jdb_2671 .

Taczyńska, Katarzyna, "Counterpointing of memory: the image of World War II in the diaries of Lea Salcberger and Ervin Salcberger" in The Balkan Jews and the Minority Issue in South-Eastern Europe (2020):1-16,
https://hdl.handle.net/21.15107/rcub_jdb_2671 .

TY  - JOUR
AU  - Czarnecka, Barbara
AU  - Taczyńska, Katarzyna
PY  - 2018
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2675
AB  - This article examines the play “The Doll from Bed 21” [Lutka sa kreveta broj 21] by Đorđe Lebović, who had co-authored “A Heavenly Detachment” (Nebeski odred, 1956) with Aleksandar Obrenović - the first play to address the Holocaust in Socialist Yugoslavia, which was first televised in Yugoslavia in 1966. The play was not performed in Poland, but in 1970, TVP showed a performance based on Lebović’s text. The play tackles forced prostitution in the camps as well as the women’s experiences after the war, including their stigmatization and hierarchization as victims as well as the tabuization of the entire subject. The main themes are the legal, ethical and often linguistic challenges faced by the postwar judicial system, as well as questions of victimization and heroical gender oppression.
AB  - U ovom članku se ispituje drama „Lutka sa kreveta broj 21“ Đorđa Lebovića, koji je sa Aleksandrom Obrenovićem u koautorstvu napisao „Nebeski odred“ (1956) - prvu predstavu koja govori o Holokaustu u Socijalističkoj Jugoslaviji i koja je u Jugoslaviji prvi put emitovana 1966. godine. Predstava nije izvedena u Poljskoj, ali je TVP 1970. prikazao predstavu po Lebovićevom tekstu. Predstava se bavi prinudnom prostitucijom u logorima, kao i iskustvima žena nakon rata, uključujući njihovu stigmatizaciju i hijerarhizaciju kao žrtve, kao i tabuizaciju čitave teme. Glavne teme su pravni, etički i često lingvistički izazovi sa kojima se suočava posleratni pravosudni sistem, kao i pitanja viktimizacije i herojskog rodnog ugnjetavanja.
PB  - Warszawa :  Institute of Literary Research of the Polish Academy of Sciences
T2  - Teksty Drugie. Teoria literatury, krytyka, interpretacja [Second texts. Literary theory, criticism, and nterpretation]
T1  - “Lalka z łóżka 21” Đorđa Lebovicia, czyli trauma wojny i opresja wolności
T1  - Đorđe Lebović’s “The doll from bed 21”: war trauma and the oppression of freedom
T1  - „Lutka iz kreveta 21” Đorđa Lebovića: ratna trauma i ugnjetavanje slobode
DO  - 10.18318/td.2018.5.3
SP  - 45
EP  - 64
IS  - 5
ER  - 

@article{
author = "Czarnecka, Barbara and Taczyńska, Katarzyna",
year = "2018",
abstract = "This article examines the play “The Doll from Bed 21” [Lutka sa kreveta broj 21] by Đorđe Lebović, who had co-authored “A Heavenly Detachment” (Nebeski odred, 1956) with Aleksandar Obrenović - the first play to address the Holocaust in Socialist Yugoslavia, which was first televised in Yugoslavia in 1966. The play was not performed in Poland, but in 1970, TVP showed a performance based on Lebović’s text. The play tackles forced prostitution in the camps as well as the women’s experiences after the war, including their stigmatization and hierarchization as victims as well as the tabuization of the entire subject. The main themes are the legal, ethical and often linguistic challenges faced by the postwar judicial system, as well as questions of victimization and heroical gender oppression., U ovom članku se ispituje drama „Lutka sa kreveta broj 21“ Đorđa Lebovića, koji je sa Aleksandrom Obrenovićem u koautorstvu napisao „Nebeski odred“ (1956) - prvu predstavu koja govori o Holokaustu u Socijalističkoj Jugoslaviji i koja je u Jugoslaviji prvi put emitovana 1966. godine. Predstava nije izvedena u Poljskoj, ali je TVP 1970. prikazao predstavu po Lebovićevom tekstu. Predstava se bavi prinudnom prostitucijom u logorima, kao i iskustvima žena nakon rata, uključujući njihovu stigmatizaciju i hijerarhizaciju kao žrtve, kao i tabuizaciju čitave teme. Glavne teme su pravni, etički i često lingvistički izazovi sa kojima se suočava posleratni pravosudni sistem, kao i pitanja viktimizacije i herojskog rodnog ugnjetavanja.",
publisher = "Warszawa :  Institute of Literary Research of the Polish Academy of Sciences",
journal = "Teksty Drugie. Teoria literatury, krytyka, interpretacja [Second texts. Literary theory, criticism, and nterpretation]",
title = "“Lalka z łóżka 21” Đorđa Lebovicia, czyli trauma wojny i opresja wolności, Đorđe Lebović’s “The doll from bed 21”: war trauma and the oppression of freedom, „Lutka iz kreveta 21” Đorđa Lebovića: ratna trauma i ugnjetavanje slobode",
doi = "10.18318/td.2018.5.3",
pages = "45-64",
number = "5"
}

Czarnecka, B.,& Taczyńska, K.. (2018). “Lalka z łóżka 21” Đorđa Lebovicia, czyli trauma wojny i opresja wolności. in Teksty Drugie. Teoria literatury, krytyka, interpretacja [Second texts. Literary theory, criticism, and nterpretation]
Warszawa :  Institute of Literary Research of the Polish Academy of Sciences.(5), 45-64.
https://doi.org/10.18318/td.2018.5.3

Czarnecka B, Taczyńska K. “Lalka z łóżka 21” Đorđa Lebovicia, czyli trauma wojny i opresja wolności. in Teksty Drugie. Teoria literatury, krytyka, interpretacja [Second texts. Literary theory, criticism, and nterpretation]. 2018;(5):45-64.
doi:10.18318/td.2018.5.3 .

Czarnecka, Barbara, Taczyńska, Katarzyna, "“Lalka z łóżka 21” Đorđa Lebovicia, czyli trauma wojny i opresja wolności" in Teksty Drugie. Teoria literatury, krytyka, interpretacja [Second texts. Literary theory, criticism, and nterpretation], no. 5 (2018):45-64,
https://doi.org/10.18318/td.2018.5.3 . .

TY  - JOUR
AU  - Taczyńska, Katarzyna
PY  - 2018
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2670
AB  - Obóz koncentracyjny jako element rzeczywistości Jugosławii i państw powstałych
po jej rozpadzie powracał w dwudziestowiecznej historii tego regionu co najmniej kilka razy. Szczególnymi momentami w przeszłości, w których obóz odgrywał strategiczne ogniwo, były czas drugiej wojny światowej, następnie rozrachunków wewnętrznych po wykluczeniu Jugosławii z Kominformu w 1948 r. i najbliższy nam czasowo okres wojny domowej w latach 90. XX w. Choć wyliczanie nazw obozów w tym miejscu, ze względu na liczbę i różną specyikę, może budzić zastrzeżenia, warto przywołać choć te najważniejsze czy najbardziej rozpoznawalne, by wskazać, a tym samym zaakcentować newralgiczne miejsca z przeszłości Jugosławii, do dziś odgrywające istotną (choć nierzadko upolitycznioną i kontrowersyjną) rolę w debacie publicznej.
AB  - The text contains an analysis of photographs and personal (written) documents by Elvira Kohn (1914-2003), a Jew and a female prisoner of the Kampor concentration camp, established in July 1942 on Rab island in Croatia. The article explores the specific features of a narrative about World War II and the Jewish experience in Yugoslavia which emerge from the materials. Presented so that they complement each other, photographs understood as photo-texts (Marianna Michałowska) and a diary and a poem recognized as inconspicuous texts (Jerzy Strzelczyk, Inga Iwasiów) form Kohn’s narrative. The microhistory (Ewa Domańska) of this photographer and writer is presented as material supplementing the knowledge about the past of Jews in Yugoslavia, which - due to the choices Elvira Kohn made in her life and art - can also be considered as evidence of emancipatory social changes of that period, and as an example of overcoming the existing cultural paradigms.
AB  - Tekst sadrži analizu fotografija i ličnih (pisanih) dokumenata Elvire Kon (1914-2003), Jevrejke i zatvorenice koncentracionog logora Kampor, osnovanog jula 1942. na ostrvu Rab u Hrvatskoj. U članku se istražuju specifičnosti narativa o Drugom svetskom ratu i jevrejskom iskustvu u Jugoslaviji koje proizilaze iz materijala. Prikazane tako da se međusobno dopunjuju, fotografije shvaćene kao foto-tekstovi (Marianna Michałovska) i dnevnik i pesma prepoznate kao neupadljivi tekstovi (Jerzi Strzelczik, Inga Ivasiov) čine narativ Elvire Kon. Mikroistorija (Eva Domanska) ovog fotografa i pisca je predstavljena kao materijal koji dopunjuje saznanja o prošlosti Jevreja u Jugoslaviji, koji se  zbog izbora koje je Elvira Kon učinila u svom životu i umetnosti - može smatrati i dokazom emancipatorskih društvenih promena tog perioda, ali i primerom prevazilaženja postojeće kulturne paradigme.
PB  - Łódz : Wydawnictwo Uniwersytetu Łódzkiego
T2  - Acta Universitatis Lodziensis. Folia Litteraria Polonica
T1  - A dokąd teraz? Problematyka obozowa w perspektywie jugosłowiańskiej. Przypadek Elviry Kohn
T1  - And where now? The issue of concentration camps from a Yugoslav perspective. The case of Elvira Kohn
T1  - A gde sad? Pitanje koncentracionih logora iz jugoslovenske perspektive. Slučaj Elvire Kon
DO  - 10.18778/1505-9057.47.10
SP  - 135
EP  - 158
IS  - 1
VL  - 47
ER  - 

@article{
author = "Taczyńska, Katarzyna",
year = "2018",
abstract = "Obóz koncentracyjny jako element rzeczywistości Jugosławii i państw powstałych
po jej rozpadzie powracał w dwudziestowiecznej historii tego regionu co najmniej kilka razy. Szczególnymi momentami w przeszłości, w których obóz odgrywał strategiczne ogniwo, były czas drugiej wojny światowej, następnie rozrachunków wewnętrznych po wykluczeniu Jugosławii z Kominformu w 1948 r. i najbliższy nam czasowo okres wojny domowej w latach 90. XX w. Choć wyliczanie nazw obozów w tym miejscu, ze względu na liczbę i różną specyikę, może budzić zastrzeżenia, warto przywołać choć te najważniejsze czy najbardziej rozpoznawalne, by wskazać, a tym samym zaakcentować newralgiczne miejsca z przeszłości Jugosławii, do dziś odgrywające istotną (choć nierzadko upolitycznioną i kontrowersyjną) rolę w debacie publicznej., The text contains an analysis of photographs and personal (written) documents by Elvira Kohn (1914-2003), a Jew and a female prisoner of the Kampor concentration camp, established in July 1942 on Rab island in Croatia. The article explores the specific features of a narrative about World War II and the Jewish experience in Yugoslavia which emerge from the materials. Presented so that they complement each other, photographs understood as photo-texts (Marianna Michałowska) and a diary and a poem recognized as inconspicuous texts (Jerzy Strzelczyk, Inga Iwasiów) form Kohn’s narrative. The microhistory (Ewa Domańska) of this photographer and writer is presented as material supplementing the knowledge about the past of Jews in Yugoslavia, which - due to the choices Elvira Kohn made in her life and art - can also be considered as evidence of emancipatory social changes of that period, and as an example of overcoming the existing cultural paradigms., Tekst sadrži analizu fotografija i ličnih (pisanih) dokumenata Elvire Kon (1914-2003), Jevrejke i zatvorenice koncentracionog logora Kampor, osnovanog jula 1942. na ostrvu Rab u Hrvatskoj. U članku se istražuju specifičnosti narativa o Drugom svetskom ratu i jevrejskom iskustvu u Jugoslaviji koje proizilaze iz materijala. Prikazane tako da se međusobno dopunjuju, fotografije shvaćene kao foto-tekstovi (Marianna Michałovska) i dnevnik i pesma prepoznate kao neupadljivi tekstovi (Jerzi Strzelczik, Inga Ivasiov) čine narativ Elvire Kon. Mikroistorija (Eva Domanska) ovog fotografa i pisca je predstavljena kao materijal koji dopunjuje saznanja o prošlosti Jevreja u Jugoslaviji, koji se  zbog izbora koje je Elvira Kon učinila u svom životu i umetnosti - može smatrati i dokazom emancipatorskih društvenih promena tog perioda, ali i primerom prevazilaženja postojeće kulturne paradigme.",
publisher = "Łódz : Wydawnictwo Uniwersytetu Łódzkiego",
journal = "Acta Universitatis Lodziensis. Folia Litteraria Polonica",
title = "A dokąd teraz? Problematyka obozowa w perspektywie jugosłowiańskiej. Przypadek Elviry Kohn, And where now? The issue of concentration camps from a Yugoslav perspective. The case of Elvira Kohn, A gde sad? Pitanje koncentracionih logora iz jugoslovenske perspektive. Slučaj Elvire Kon",
doi = "10.18778/1505-9057.47.10",
pages = "135-158",
number = "1",
volume = "47"
}

Taczyńska, K.. (2018). A dokąd teraz? Problematyka obozowa w perspektywie jugosłowiańskiej. Przypadek Elviry Kohn. in Acta Universitatis Lodziensis. Folia Litteraria Polonica
Łódz : Wydawnictwo Uniwersytetu Łódzkiego., 47(1), 135-158.
https://doi.org/10.18778/1505-9057.47.10

Taczyńska K. A dokąd teraz? Problematyka obozowa w perspektywie jugosłowiańskiej. Przypadek Elviry Kohn. in Acta Universitatis Lodziensis. Folia Litteraria Polonica. 2018;47(1):135-158.
doi:10.18778/1505-9057.47.10 .

Taczyńska, Katarzyna, "A dokąd teraz? Problematyka obozowa w perspektywie jugosłowiańskiej. Przypadek Elviry Kohn" in Acta Universitatis Lodziensis. Folia Litteraria Polonica, 47, no. 1 (2018):135-158,
https://doi.org/10.18778/1505-9057.47.10 . .

TY  - JOUR
AU  - Koch, Magdalena
AU  - Taczyńska, Katarzyna
PY  - 2018
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2678
AB  - "... This issue consists of nine studies written by researchers from several university centres in Poland (Adam Mickiewicz University in Poznań, University of Wrocław, Nicolaus Copernicus University in Toruń, University of Opole), Serbia (Institute for Literature and Arts in Belgrade), Israel (The Hebrew University of Jerusalem), and Germany (Humboldt-Universität zu Berlin). They address “cultural performances of memory,” define strategies for remembering and recovering from so-called “structural amnesia,” describe activities that took place at the borderlands between cultures, and highlight various flows, transfers and limitations, but also the emissive power, of texts written by Balkan Jewish women who worked in the ethnically complicated, transcultural areas of the borderland. The subject of analysis here includes both Slavic (Serbian, Croatian, Bosnian, Yugoslav, and Bulgarian) and non-Slavic (Greek and Albanian) contexts. Most of the texts that comprise this issue are varied and present multi-dimensional and in-depth case studies..."
AB  - „... Ovaj broj se sastoji od devet studija koje su napisali istraživači iz nekoliko univerzitetskih centara u Poljskoj (Univerzitet Adama Mickijeviča u Poznanju, Univerzitet u Vroclavu, Univerzitet Nikola Kopernik u Torunju, Univerzitet u Opolju), Srbije (Institut za književnost i umetnost u Beogradu), Izrael (Hebrejski univerzitet u Jerusalimu) i Nemačka (Humboldt-Universität zu Berlin). Oni se bave „kulturnim performansama sećanja“, definišu strategije za pamćenje i oporavak od takozvane „strukturalne amnezije“, opisuju aktivnosti koje su se desile na granici između kultura, te ističu različite tokove, transfere i ograničenja, ali i emotivnu moć tekstova balkanskih Jevrejki koje su radile u etnički komplikovanim, transkulturnim, pograničnim područjima. Predmet analize ovde obuhvata i slovenske (srpski, hrvatski, bosanski, jugoslovenski i bugarski) i neslovenske (grčki i albanski) kontekste. Većina tekstova koji obuhvataju ovo pitanje su raznovrsni i predstavljaju višedimenzionalne i detaljne studije slučaja..."
PB  - Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press)
T2  - Studia Judaica 21
T1  - Strategies of survival: Balkan Jewish women and cultural representations of memory [Preface]
T1  - Strategije opstanka: balkanske Jevrejke i kulturne reprezentacije sećanja: [Predgovor]
DO  - 10.4467/24500100STJ.18.001.9171
SP  - 2
EP  - 6
IS  - 1 (41)
ER  - 

@article{
author = "Koch, Magdalena and Taczyńska, Katarzyna",
year = "2018",
abstract = ""... This issue consists of nine studies written by researchers from several university centres in Poland (Adam Mickiewicz University in Poznań, University of Wrocław, Nicolaus Copernicus University in Toruń, University of Opole), Serbia (Institute for Literature and Arts in Belgrade), Israel (The Hebrew University of Jerusalem), and Germany (Humboldt-Universität zu Berlin). They address “cultural performances of memory,” define strategies for remembering and recovering from so-called “structural amnesia,” describe activities that took place at the borderlands between cultures, and highlight various flows, transfers and limitations, but also the emissive power, of texts written by Balkan Jewish women who worked in the ethnically complicated, transcultural areas of the borderland. The subject of analysis here includes both Slavic (Serbian, Croatian, Bosnian, Yugoslav, and Bulgarian) and non-Slavic (Greek and Albanian) contexts. Most of the texts that comprise this issue are varied and present multi-dimensional and in-depth case studies...", „... Ovaj broj se sastoji od devet studija koje su napisali istraživači iz nekoliko univerzitetskih centara u Poljskoj (Univerzitet Adama Mickijeviča u Poznanju, Univerzitet u Vroclavu, Univerzitet Nikola Kopernik u Torunju, Univerzitet u Opolju), Srbije (Institut za književnost i umetnost u Beogradu), Izrael (Hebrejski univerzitet u Jerusalimu) i Nemačka (Humboldt-Universität zu Berlin). Oni se bave „kulturnim performansama sećanja“, definišu strategije za pamćenje i oporavak od takozvane „strukturalne amnezije“, opisuju aktivnosti koje su se desile na granici između kultura, te ističu različite tokove, transfere i ograničenja, ali i emotivnu moć tekstova balkanskih Jevrejki koje su radile u etnički komplikovanim, transkulturnim, pograničnim područjima. Predmet analize ovde obuhvata i slovenske (srpski, hrvatski, bosanski, jugoslovenski i bugarski) i neslovenske (grčki i albanski) kontekste. Većina tekstova koji obuhvataju ovo pitanje su raznovrsni i predstavljaju višedimenzionalne i detaljne studije slučaja..."",
publisher = "Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press)",
journal = "Studia Judaica 21",
title = "Strategies of survival: Balkan Jewish women and cultural representations of memory [Preface], Strategije opstanka: balkanske Jevrejke i kulturne reprezentacije sećanja: [Predgovor]",
doi = "10.4467/24500100STJ.18.001.9171",
pages = "2-6",
number = "1 (41)"
}

Koch, M.,& Taczyńska, K.. (2018). Strategies of survival: Balkan Jewish women and cultural representations of memory [Preface]. in Studia Judaica 21
Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press).(1 (41)), 2-6.
https://doi.org/10.4467/24500100STJ.18.001.9171

Koch M, Taczyńska K. Strategies of survival: Balkan Jewish women and cultural representations of memory [Preface]. in Studia Judaica 21. 2018;(1 (41)):2-6.
doi:10.4467/24500100STJ.18.001.9171 .

Koch, Magdalena, Taczyńska, Katarzyna, "Strategies of survival: Balkan Jewish women and cultural representations of memory [Preface]" in Studia Judaica 21, no. 1 (41) (2018):2-6,
https://doi.org/10.4467/24500100STJ.18.001.9171 . .

TY  - JOUR
AU  - Taczyńska, Katarzyna
PY  - 2018
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2669
AB  - The primary objective of this text is an analysis of Eva Nahir Panić’s biography (she lived from 1918 to 2015) titled “Eva”, written by Dane Ilić. The protagonist of this story is a Jewish woman born in Čakovec, who married a Serbian officer, survived the Holocaust, went through the camp for the Cominformists, and finally immigrated to Israel. An interpretative category that creates a framework for reading the text is “borderline,” which encompasses two meanings here. The first includes borderline situations (such as the Holocaust and the stay in the Sveti Grgur prison camp) which Nahir Panić had to face in her life and which left an indelible mark on her (the burden of her traumatic experience is passed on to the next generation, in Eva’s daughter, Tijana - signifying a post-memory issue). The second pertains to how she functioned in the borders between cultures which directly influenced her fate. Regarding Ewa Domańska’s concept of the rescue history project executed in Poland, I suggest that the life of Eva Nahir Panić, though undoubtedly filled with painful experiences, ought to be considered not in terms of victimization, but of rebirth and affirmation. Nahir Panić’s life story is a highly personalized narrative, which presents her identity project, and through it, the reader discovers the potential of the community. This may also provide a starting point for reflecting on the history of Yugoslavia.
AB  - Osnovni cilj ovog teksta je analiza biografije Eve Nahir Panić (živela od 1918. do 2015. godine) pod nazivom “Eva”, autora Dane Ilića. Protagonista ove priče je Jevrejka rođena u Čakovcu, koja se udala za srpskog oficira, preživela Holokaust, prošla logor za kominformiste i na kraju emigrirala u Izrael. Interpretativna kategorija koja stvara okvir za čitanje teksta je „granična“, ovde obuhvata dva značenja. Prva uključuje granične situacije (kao što su Holokaust i boravak u logoru Sveti Grgur) sa kojima se Nahir Panić morala suočiti u svom životu i koje su ostavile neizbrisiv trag na nju (teret njenog traumatskog iskustva se prenosi na sledeće generacije, kod Evine ćerke, Tijane - što označava problem postsećanja). Drugi se odnosi na to kako je funkcionisala u granicama između kultura koje su direktno uticale na njenu sudbinu. Što se tiče koncepta Eve Domanske o projektu istorije spasavanja koji je izveden u Poljskoj, predlažem da život Eve Nahir Panić, iako je nesumnjivo ispunjena bolnim iskustvima, treba posmatrati ne u smislu viktimizacije, već preporoda i afirmacije. Životna priča Nahir Panić je visoko personalizovan narativ, koji predstavlja njen identitetski projekat, a kroz njega čitalac otkriva potencijal zajednice. Ovo takođe može biti polazna tačka za razmišljanje o istoriji Jugoslavije.
PB  - Berlin : De Gruyter
T2  - Studia Judaica 21
T1  - A border biography: the image of the past in Eva Nahir Panić’s memories as presented in Dane Ilić’s “Eva”
T1  - Granična biografija: slika prošlosti u sećanjima Eve Nahir Panić predstavljena u "Evi" Daneta Ilića
DO  - 10.4467/24500100STJ.18.005.9175
SP  - 77
EP  - 95
IS  - 1 (41)
ER  - 

@article{
author = "Taczyńska, Katarzyna",
year = "2018",
abstract = "The primary objective of this text is an analysis of Eva Nahir Panić’s biography (she lived from 1918 to 2015) titled “Eva”, written by Dane Ilić. The protagonist of this story is a Jewish woman born in Čakovec, who married a Serbian officer, survived the Holocaust, went through the camp for the Cominformists, and finally immigrated to Israel. An interpretative category that creates a framework for reading the text is “borderline,” which encompasses two meanings here. The first includes borderline situations (such as the Holocaust and the stay in the Sveti Grgur prison camp) which Nahir Panić had to face in her life and which left an indelible mark on her (the burden of her traumatic experience is passed on to the next generation, in Eva’s daughter, Tijana - signifying a post-memory issue). The second pertains to how she functioned in the borders between cultures which directly influenced her fate. Regarding Ewa Domańska’s concept of the rescue history project executed in Poland, I suggest that the life of Eva Nahir Panić, though undoubtedly filled with painful experiences, ought to be considered not in terms of victimization, but of rebirth and affirmation. Nahir Panić’s life story is a highly personalized narrative, which presents her identity project, and through it, the reader discovers the potential of the community. This may also provide a starting point for reflecting on the history of Yugoslavia., Osnovni cilj ovog teksta je analiza biografije Eve Nahir Panić (živela od 1918. do 2015. godine) pod nazivom “Eva”, autora Dane Ilića. Protagonista ove priče je Jevrejka rođena u Čakovcu, koja se udala za srpskog oficira, preživela Holokaust, prošla logor za kominformiste i na kraju emigrirala u Izrael. Interpretativna kategorija koja stvara okvir za čitanje teksta je „granična“, ovde obuhvata dva značenja. Prva uključuje granične situacije (kao što su Holokaust i boravak u logoru Sveti Grgur) sa kojima se Nahir Panić morala suočiti u svom životu i koje su ostavile neizbrisiv trag na nju (teret njenog traumatskog iskustva se prenosi na sledeće generacije, kod Evine ćerke, Tijane - što označava problem postsećanja). Drugi se odnosi na to kako je funkcionisala u granicama između kultura koje su direktno uticale na njenu sudbinu. Što se tiče koncepta Eve Domanske o projektu istorije spasavanja koji je izveden u Poljskoj, predlažem da život Eve Nahir Panić, iako je nesumnjivo ispunjena bolnim iskustvima, treba posmatrati ne u smislu viktimizacije, već preporoda i afirmacije. Životna priča Nahir Panić je visoko personalizovan narativ, koji predstavlja njen identitetski projekat, a kroz njega čitalac otkriva potencijal zajednice. Ovo takođe može biti polazna tačka za razmišljanje o istoriji Jugoslavije.",
publisher = "Berlin : De Gruyter",
journal = "Studia Judaica 21",
title = "A border biography: the image of the past in Eva Nahir Panić’s memories as presented in Dane Ilić’s “Eva”, Granična biografija: slika prošlosti u sećanjima Eve Nahir Panić predstavljena u "Evi" Daneta Ilića",
doi = "10.4467/24500100STJ.18.005.9175",
pages = "77-95",
number = "1 (41)"
}

Taczyńska, K.. (2018). A border biography: the image of the past in Eva Nahir Panić’s memories as presented in Dane Ilić’s “Eva”. in Studia Judaica 21
Berlin : De Gruyter.(1 (41)), 77-95.
https://doi.org/10.4467/24500100STJ.18.005.9175

Taczyńska K. A border biography: the image of the past in Eva Nahir Panić’s memories as presented in Dane Ilić’s “Eva”. in Studia Judaica 21. 2018;(1 (41)):77-95.
doi:10.4467/24500100STJ.18.005.9175 .

Taczyńska, Katarzyna, "A border biography: the image of the past in Eva Nahir Panić’s memories as presented in Dane Ilić’s “Eva”" in Studia Judaica 21, no. 1 (41) (2018):77-95,
https://doi.org/10.4467/24500100STJ.18.005.9175 . .

TY  - JOUR
AU  - Giergiel, Sabina
AU  - Taczyńska, Katarzyna
PY  - 2017
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2679
AB  - The primary objective of the text is the analysis of Filip David’s latest work. The Serbian writer is the author of the novel "House of Memories and Oblivions" (Kuća sećanja i zaborava, 2014), awarded Best Novel of the Year by the NIN weekly (Nedeljne Informativne Novine). On the one hand, the output of this Serbian novelist is of interest to us as a continuation and representation of the contemporary discourse on the Holocaust in Serbia. On the other - we look at the literary realization of the Holocaust topic. The fortunes of the main characters in the novel (children who survived the Holocaust) serve as the cases on which we present where the author draws the borderline of the ever-present Holocaust in their lives; how much and in what way the past affects their present; where the borderline of memory, forgetting and oblivion is.
AB  - Podstawowym celem tekstu jest analiza najnowszej twórczości Filipa Davida, autora nagrodzonej Nagrodą Tygodnika NIN („Nedeljne Informativne Novine”) powieści "Dom pamięci i zapomnienia" (2014, Kuća sećanja i zaborava). Z jednej strony twórczość serbskiego prozaika interesować nas będzie jako kontynuacja i reprezentacja współczesnego dyskursu na temat Holokaustu w Serbii. Z drugiej zaś - przyjrzymy się jego literackiej realizacji. Na przykładzie losów głównych bohaterów powieści (dzieci, które przeżyły Zagładę) pokażemy, gdzie przebiega rysowana przez autora granica istnienia Shoah w ich życiu. Na ile i w jaki sposób przeszłość wpływa na ich teraźniejszość, gdzie przebiega granica pamięci, niepamięci i zapomnienia oraz w jakim stopniu ich życie deiniuje rozdzielenie rzeczywistości od fikcji.
AB  - Primarni cilj teksta je analiza najnovijeg dela Filipa Davida. Srpski pisac je autor romana „Kuća sećanja i zaborava“, 2014, koji je nedeljnik NIN nagradio za najbolji roman godine. S jedne strane, rad ovog srpskog romansijera nas interesuje kao nastavak i reprezentacija savremenog diskursa o holokaustu u Srbiji. S druge strane - gledamo na književno ostvarenje teme Holokausta. Sudbina glavnih likova u romanu (dece koja su preživela Holokaust) služe kao slučajevi na kojima autor povlači granicu sveprisutnog Holokausta u njihovim životima; koliko i na koji način prošlost utiče na njihovu sadašnjost; gde je granica sećanja, zaboravljanja i zaborava.
PB  - Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press)
T2  - Colloquia Humanistica [The images of the borders of civilization]
T1  - "When night passes" and "When day breaks" - between the past and the present. Borderlines of Holocaust in Filip David’s works
T1  - "Kad prođe noć" i "Kad svane dan" - między przeszłością a teraźniejszością. Granice Holokaustu w twórczości Filipa Davida
T1  - "Kad prođe noć" i "Kad svane dan" - između prošlosti i sadašnjosti. Granice Holokausta u delima Filipa Davida
DO  - 10.11649/ch.2017.007
SP  - 75
EP  - 96
IS  - 6
ER  - 

@article{
author = "Giergiel, Sabina and Taczyńska, Katarzyna",
year = "2017",
abstract = "The primary objective of the text is the analysis of Filip David’s latest work. The Serbian writer is the author of the novel "House of Memories and Oblivions" (Kuća sećanja i zaborava, 2014), awarded Best Novel of the Year by the NIN weekly (Nedeljne Informativne Novine). On the one hand, the output of this Serbian novelist is of interest to us as a continuation and representation of the contemporary discourse on the Holocaust in Serbia. On the other - we look at the literary realization of the Holocaust topic. The fortunes of the main characters in the novel (children who survived the Holocaust) serve as the cases on which we present where the author draws the borderline of the ever-present Holocaust in their lives; how much and in what way the past affects their present; where the borderline of memory, forgetting and oblivion is., Podstawowym celem tekstu jest analiza najnowszej twórczości Filipa Davida, autora nagrodzonej Nagrodą Tygodnika NIN („Nedeljne Informativne Novine”) powieści "Dom pamięci i zapomnienia" (2014, Kuća sećanja i zaborava). Z jednej strony twórczość serbskiego prozaika interesować nas będzie jako kontynuacja i reprezentacja współczesnego dyskursu na temat Holokaustu w Serbii. Z drugiej zaś - przyjrzymy się jego literackiej realizacji. Na przykładzie losów głównych bohaterów powieści (dzieci, które przeżyły Zagładę) pokażemy, gdzie przebiega rysowana przez autora granica istnienia Shoah w ich życiu. Na ile i w jaki sposób przeszłość wpływa na ich teraźniejszość, gdzie przebiega granica pamięci, niepamięci i zapomnienia oraz w jakim stopniu ich życie deiniuje rozdzielenie rzeczywistości od fikcji., Primarni cilj teksta je analiza najnovijeg dela Filipa Davida. Srpski pisac je autor romana „Kuća sećanja i zaborava“, 2014, koji je nedeljnik NIN nagradio za najbolji roman godine. S jedne strane, rad ovog srpskog romansijera nas interesuje kao nastavak i reprezentacija savremenog diskursa o holokaustu u Srbiji. S druge strane - gledamo na književno ostvarenje teme Holokausta. Sudbina glavnih likova u romanu (dece koja su preživela Holokaust) služe kao slučajevi na kojima autor povlači granicu sveprisutnog Holokausta u njihovim životima; koliko i na koji način prošlost utiče na njihovu sadašnjost; gde je granica sećanja, zaboravljanja i zaborava.",
publisher = "Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press)",
journal = "Colloquia Humanistica [The images of the borders of civilization]",
title = ""When night passes" and "When day breaks" - between the past and the present. Borderlines of Holocaust in Filip David’s works, "Kad prođe noć" i "Kad svane dan" - między przeszłością a teraźniejszością. Granice Holokaustu w twórczości Filipa Davida, "Kad prođe noć" i "Kad svane dan" - između prošlosti i sadašnjosti. Granice Holokausta u delima Filipa Davida",
doi = "10.11649/ch.2017.007",
pages = "75-96",
number = "6"
}

Giergiel, S.,& Taczyńska, K.. (2017). "When night passes" and "When day breaks" - between the past and the present. Borderlines of Holocaust in Filip David’s works. in Colloquia Humanistica [The images of the borders of civilization]
Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press).(6), 75-96.
https://doi.org/10.11649/ch.2017.007

Giergiel S, Taczyńska K. "When night passes" and "When day breaks" - between the past and the present. Borderlines of Holocaust in Filip David’s works. in Colloquia Humanistica [The images of the borders of civilization]. 2017;(6):75-96.
doi:10.11649/ch.2017.007 .

Giergiel, Sabina, Taczyńska, Katarzyna, ""When night passes" and "When day breaks" - between the past and the present. Borderlines of Holocaust in Filip David’s works" in Colloquia Humanistica [The images of the borders of civilization], no. 6 (2017):75-96,
https://doi.org/10.11649/ch.2017.007 . .

TY  - JOUR
AU  - Taczyńska, Katarzyna
PY  - 2017
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2577
AB  - The aim of this article is to rescue from oblivion a Ženi Lebl’s text "A Dairy of Judith" (Dnevnik jedne Judite, 1990) and to attempt to capture and present the specifics of female narration about World War II and the Holocaust in Yugoslavia. The analysis particularly accentuates war traumas as an important aspect of women’s identity in Yugoslavia, which demands discussion and reflection. Lebl perceives herself as an agent of memory, who feels responsible not only for keeping the memory of the tragic past but also for the way in which this memory is preserved. The author’s testimony written in "Dnevnik"…, the tale about a Jewish family Lebl, should
be considered against the background of the particular political situation, the reality of Belgrade under occupation. On the one hand, the narration that is passed on documents the fate of individual family members; on the other, the author by her own registered words speaks up for preserving the memory of Jewish victims of World War II in Serbia.
AB  - Цель данной статьи - воскрешение из забвения забытого текста Жени Лебл - "Дневника одной Юдифи" (Dnevnik jedne Judite, 1990) - а также попытка определения и представления специфики женского нарратива о Второй мировой войне и уничтожении евреев в Югославии. При проведении анализа особое внимание уделяется проблеме травм войны как важного элемента женской идентичности в странах бывшей Югославии, о котором необходимо говорить и размышлять. Жени Лебл воспринимает себя как хранительницу памяти, которая чувствует ответственность не только за поддержание памяти о трагических событиях прошлого, но и за то, как увековечена эта память. Свидетельство автора в "Дневнике"…, повествовании об истории еврейской семьи Лебл, следует рассматривать в контексте конкретной политической ситуации, реалий оккупированного Белграда. С одной стороны, зафиксированный нарратив документирует судьбы отдельных членов семьи, с другой - посредством записанных слов автор сохраняет память о погибших во время Второй мировой войны в Сербии евреях.
AB  - Cilj ovog članka je spasavanje od zaborava teksta Ženi Lebl „Dnevnik jedne Judite", 1990 i pokušaj da se uhvati i prikaže specifičnost ženskog narativa o Drugom svetskom ratu i Holokaustu u Jugoslaviji. Analiza posebno naglašava ratne traume kao važan aspekt ženskog identiteta u Jugoslaviji, koji zahteva diskusiju i promišljanje. Lebl sebe doživljava kao agenta sećanja, koji se oseća odgovornim ne samo za čuvanje sećanja na tragičnu prošlost, već i za način na koji se to sećanje čuva. Autorkino svedočanstvo napisano u „Dnevniku”..., priči o jevrejskoj porodici Lebl, treba sagledati u pozadini posebne političke situacije, realnosti Beograda pod okupacijom. S jedne strane, narativ koji se prenosi dokumentuje sudbinu pojedinih članova porodice; sa druge, autorka se svojim zabeleženim rečima zalaže za očuvanje sećanja na jevrejske žrtve Drugog svetskog rata u Srbiji.
PB  - Wrocław : Wydawnictwo Uniwersytetu Wrocławskiego
T2  - Miscellanea Posttotalitariana Wratislaviensia
T1  - Pamięć matki - pamięć o matce. O Dzienniku pewnej Judyty Ženi Lebl
T1  - Mother's memory - memory of the mother. About the Diary of a certain Judith Ženi Lebl
T1  - Majkina sećanja - sećanje na majku. O dnevniku izvesne Judite Ženi Lebl
DO  - 10.19195/2353-8546.6.17
SP  - 217
EP  - 231
IS  - 6
ER  - 

@article{
author = "Taczyńska, Katarzyna",
year = "2017",
abstract = "The aim of this article is to rescue from oblivion a Ženi Lebl’s text "A Dairy of Judith" (Dnevnik jedne Judite, 1990) and to attempt to capture and present the specifics of female narration about World War II and the Holocaust in Yugoslavia. The analysis particularly accentuates war traumas as an important aspect of women’s identity in Yugoslavia, which demands discussion and reflection. Lebl perceives herself as an agent of memory, who feels responsible not only for keeping the memory of the tragic past but also for the way in which this memory is preserved. The author’s testimony written in "Dnevnik"…, the tale about a Jewish family Lebl, should
be considered against the background of the particular political situation, the reality of Belgrade under occupation. On the one hand, the narration that is passed on documents the fate of individual family members; on the other, the author by her own registered words speaks up for preserving the memory of Jewish victims of World War II in Serbia., Цель данной статьи - воскрешение из забвения забытого текста Жени Лебл - "Дневника одной Юдифи" (Dnevnik jedne Judite, 1990) - а также попытка определения и представления специфики женского нарратива о Второй мировой войне и уничтожении евреев в Югославии. При проведении анализа особое внимание уделяется проблеме травм войны как важного элемента женской идентичности в странах бывшей Югославии, о котором необходимо говорить и размышлять. Жени Лебл воспринимает себя как хранительницу памяти, которая чувствует ответственность не только за поддержание памяти о трагических событиях прошлого, но и за то, как увековечена эта память. Свидетельство автора в "Дневнике"…, повествовании об истории еврейской семьи Лебл, следует рассматривать в контексте конкретной политической ситуации, реалий оккупированного Белграда. С одной стороны, зафиксированный нарратив документирует судьбы отдельных членов семьи, с другой - посредством записанных слов автор сохраняет память о погибших во время Второй мировой войны в Сербии евреях., Cilj ovog članka je spasavanje od zaborava teksta Ženi Lebl „Dnevnik jedne Judite", 1990 i pokušaj da se uhvati i prikaže specifičnost ženskog narativa o Drugom svetskom ratu i Holokaustu u Jugoslaviji. Analiza posebno naglašava ratne traume kao važan aspekt ženskog identiteta u Jugoslaviji, koji zahteva diskusiju i promišljanje. Lebl sebe doživljava kao agenta sećanja, koji se oseća odgovornim ne samo za čuvanje sećanja na tragičnu prošlost, već i za način na koji se to sećanje čuva. Autorkino svedočanstvo napisano u „Dnevniku”..., priči o jevrejskoj porodici Lebl, treba sagledati u pozadini posebne političke situacije, realnosti Beograda pod okupacijom. S jedne strane, narativ koji se prenosi dokumentuje sudbinu pojedinih članova porodice; sa druge, autorka se svojim zabeleženim rečima zalaže za očuvanje sećanja na jevrejske žrtve Drugog svetskog rata u Srbiji.",
publisher = "Wrocław : Wydawnictwo Uniwersytetu Wrocławskiego",
journal = "Miscellanea Posttotalitariana Wratislaviensia",
title = "Pamięć matki - pamięć o matce. O Dzienniku pewnej Judyty Ženi Lebl, Mother's memory - memory of the mother. About the Diary of a certain Judith Ženi Lebl, Majkina sećanja - sećanje na majku. O dnevniku izvesne Judite Ženi Lebl",
doi = "10.19195/2353-8546.6.17",
pages = "217-231",
number = "6"
}

Taczyńska, K.. (2017). Pamięć matki - pamięć o matce. O Dzienniku pewnej Judyty Ženi Lebl. in Miscellanea Posttotalitariana Wratislaviensia
Wrocław : Wydawnictwo Uniwersytetu Wrocławskiego.(6), 217-231.
https://doi.org/10.19195/2353-8546.6.17

Taczyńska K. Pamięć matki - pamięć o matce. O Dzienniku pewnej Judyty Ženi Lebl. in Miscellanea Posttotalitariana Wratislaviensia. 2017;(6):217-231.
doi:10.19195/2353-8546.6.17 .

Taczyńska, Katarzyna, "Pamięć matki - pamięć o matce. O Dzienniku pewnej Judyty Ženi Lebl" in Miscellanea Posttotalitariana Wratislaviensia, no. 6 (2017):217-231,
https://doi.org/10.19195/2353-8546.6.17 . .

TY  - CHAP
AU  - Taczyńska, Katarzyna
PY  - 2017
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2576
AB  - "Jolanta Brach-Czaina has pointed out that reflecting upon the female experience cannot only happen in relation to recording the current artistic output of women but must also be accompanied by a "reconstruction of the past and an excavation of the phenomena that have been omitted or misinterpreted" (Brach-Czaina, 1997, p. 8). The words of the Polish scholar aptly describe the goal I set for myself in the reflections upon the autobiographical writings of the heroine of this article, Ženi Lebl, whose personal writings had to wait long for proper recognition both from historians and literary scholars. The analysis conducted in this article aimed to demonstrate that "Dnevnik jedne Judite" and "Ljubičica bela" constitute a valuable source of knowledge on the experiences of one of the leading authors and researchers in the female discourse on war and prison camps in Yugoslavia. What my deliberations particularly accentuate is the issue of war and post-war traumas as a significant element of women’s identity in Yugoslavia, which calls for discussion and reflection. Reading through the lens
of her autobiography, Ženi Lebl appears as a custodian of memory who feels responsible not only for keeping the memory of tragic past events alive, but also for the way in which this memory is preserved. The personal writings of the author need to be analysed against the background of the particular political situation. Owing to this, the narration becomes on the one hand a tale about the fate of war and post-war Yugoslavia and on the other - the story of the victims in these conflicts, including women. Many years after the dramatic events Ženi Lebl decides to describe her experiences. In the book "Dnevnik jedne Judite", she writes about the reality of Belgrade under occupation and about family relations, dramatically complicated by the war. In "Ljubičica bela" she recounts the camp structure and the mechanisms governing the reality of the camps. An important
issue raised by Lebl is also her reflections on the biological and sexual problems encountered by women prisoners. By describing differing aspects of how body awareness is experienced, the author builds a female perspective of how the body is perceived and thus expresses the particularity of female experiences" (Conclusion).
AB  - „Jolanta Brach-Czaina je istakla da se razmišljanje o ženskom iskustvu ne može desiti samo u vezi sa beleženjem trenutnog umetničkog stvaralaštva žena, već mora biti praćeno „rekonstrukcijom prošlosti i iskopavanjem fenomena koji su izostavljeni ili pogrešno protumačeni“ (Brach-Czaina, 1997, str. 8). Reči poljske naučnice prikladno opisuju cilj koji sam sebi postavila u razmišljanjima o autobiografskim spisima junakinje ovog članka Ženi Lebl, čiji su lični zapisi morali dugo čekati na pravo priznanje i istoričara i književnika. Analiza sprovedena u ovom članku imala je za cilj da pokaže da „Dnevnik jedne Judite” i „Ljubičica bela” predstavljaju dragocen izvor saznanja o iskustvima jednog od vodećih autora i istraživača ratnih i zarobljeničkih logora u Jugoslaviji iz  ženskog diskursa. Ono što moja razmatranja posebno naglašavaju je pitanje rata i posleratnih trauma kao značajnog elementa ženskog identiteta u Jugoslaviji, koje zahteva diskusiju i promišljanje. U svojoj autobiografiji, Ženi Lebl se pojavljuje kao čuvar sećanja koji se oseća odgovornim ne samo za očuvanje sećanja na tragične događaje iz prošlosti, već i za način na koji se to sećanje čuva. Lične spise autorke treba analizirati u kontekstu konkretne političke situacije. Zahvaljujući tome, naracija postaje, s jedne strane, priča o sudbini rata i posleratne Jugoslavije, a sa druge - priča o žrtvama u ovim sukobima, među kojima su i žene. Mnogo godina nakon dramatičnih događaja Ženi Lebl odlučuje da opiše svoja iskustva. U knjizi "Dnevnik jedne Judite" ona piše o stvarnosti Beograda pod okupacijom i o porodičnim odnosima, dramatično komplikovanih ratom. U „Ljubičice bela” ona prepričava logorsku strukturu i mehanizme koji regulišu stvarnost logora. Važno pitanje koje je pokrenula Lebl su i njena razmišljanja o biološkim i seksualnim problemima sa kojima se susreću zatvorenice. Opisujući različite aspekte načina na koji se doživljava telesna svest, autorka gradi žensku perspektivu kako se telo percipira i na taj način izražava posebnost ženskih iskustava“ (Zaključak).
PB  - Warsaw :  Wydawnictwo Akademii Pedagogiki Specjalnej
T2  - An introspective approach to women’s intercultural fieldwork: female researchers’ narrations based on their intercultural experiences from the field
T1  - "A scattered mosaic of records and reminiscences": Ženi Lebl’s war odyssey in her personal writings
T1  - „Rasuti mozaik zapisa i reminiscencija“: ratna odiseja Ženi Lebl u njenim ličnim spisima
SP  - 68
EP  - 102
UR  - https://hdl.handle.net/21.15107/rcub_jdb_2576
ER  - 

@inbook{
author = "Taczyńska, Katarzyna",
year = "2017",
abstract = ""Jolanta Brach-Czaina has pointed out that reflecting upon the female experience cannot only happen in relation to recording the current artistic output of women but must also be accompanied by a "reconstruction of the past and an excavation of the phenomena that have been omitted or misinterpreted" (Brach-Czaina, 1997, p. 8). The words of the Polish scholar aptly describe the goal I set for myself in the reflections upon the autobiographical writings of the heroine of this article, Ženi Lebl, whose personal writings had to wait long for proper recognition both from historians and literary scholars. The analysis conducted in this article aimed to demonstrate that "Dnevnik jedne Judite" and "Ljubičica bela" constitute a valuable source of knowledge on the experiences of one of the leading authors and researchers in the female discourse on war and prison camps in Yugoslavia. What my deliberations particularly accentuate is the issue of war and post-war traumas as a significant element of women’s identity in Yugoslavia, which calls for discussion and reflection. Reading through the lens
of her autobiography, Ženi Lebl appears as a custodian of memory who feels responsible not only for keeping the memory of tragic past events alive, but also for the way in which this memory is preserved. The personal writings of the author need to be analysed against the background of the particular political situation. Owing to this, the narration becomes on the one hand a tale about the fate of war and post-war Yugoslavia and on the other - the story of the victims in these conflicts, including women. Many years after the dramatic events Ženi Lebl decides to describe her experiences. In the book "Dnevnik jedne Judite", she writes about the reality of Belgrade under occupation and about family relations, dramatically complicated by the war. In "Ljubičica bela" she recounts the camp structure and the mechanisms governing the reality of the camps. An important
issue raised by Lebl is also her reflections on the biological and sexual problems encountered by women prisoners. By describing differing aspects of how body awareness is experienced, the author builds a female perspective of how the body is perceived and thus expresses the particularity of female experiences" (Conclusion)., „Jolanta Brach-Czaina je istakla da se razmišljanje o ženskom iskustvu ne može desiti samo u vezi sa beleženjem trenutnog umetničkog stvaralaštva žena, već mora biti praćeno „rekonstrukcijom prošlosti i iskopavanjem fenomena koji su izostavljeni ili pogrešno protumačeni“ (Brach-Czaina, 1997, str. 8). Reči poljske naučnice prikladno opisuju cilj koji sam sebi postavila u razmišljanjima o autobiografskim spisima junakinje ovog članka Ženi Lebl, čiji su lični zapisi morali dugo čekati na pravo priznanje i istoričara i književnika. Analiza sprovedena u ovom članku imala je za cilj da pokaže da „Dnevnik jedne Judite” i „Ljubičica bela” predstavljaju dragocen izvor saznanja o iskustvima jednog od vodećih autora i istraživača ratnih i zarobljeničkih logora u Jugoslaviji iz  ženskog diskursa. Ono što moja razmatranja posebno naglašavaju je pitanje rata i posleratnih trauma kao značajnog elementa ženskog identiteta u Jugoslaviji, koje zahteva diskusiju i promišljanje. U svojoj autobiografiji, Ženi Lebl se pojavljuje kao čuvar sećanja koji se oseća odgovornim ne samo za očuvanje sećanja na tragične događaje iz prošlosti, već i za način na koji se to sećanje čuva. Lične spise autorke treba analizirati u kontekstu konkretne političke situacije. Zahvaljujući tome, naracija postaje, s jedne strane, priča o sudbini rata i posleratne Jugoslavije, a sa druge - priča o žrtvama u ovim sukobima, među kojima su i žene. Mnogo godina nakon dramatičnih događaja Ženi Lebl odlučuje da opiše svoja iskustva. U knjizi "Dnevnik jedne Judite" ona piše o stvarnosti Beograda pod okupacijom i o porodičnim odnosima, dramatično komplikovanih ratom. U „Ljubičice bela” ona prepričava logorsku strukturu i mehanizme koji regulišu stvarnost logora. Važno pitanje koje je pokrenula Lebl su i njena razmišljanja o biološkim i seksualnim problemima sa kojima se susreću zatvorenice. Opisujući različite aspekte načina na koji se doživljava telesna svest, autorka gradi žensku perspektivu kako se telo percipira i na taj način izražava posebnost ženskih iskustava“ (Zaključak).",
publisher = "Warsaw :  Wydawnictwo Akademii Pedagogiki Specjalnej",
journal = "An introspective approach to women’s intercultural fieldwork: female researchers’ narrations based on their intercultural experiences from the field",
booktitle = ""A scattered mosaic of records and reminiscences": Ženi Lebl’s war odyssey in her personal writings, „Rasuti mozaik zapisa i reminiscencija“: ratna odiseja Ženi Lebl u njenim ličnim spisima",
pages = "68-102",
url = "https://hdl.handle.net/21.15107/rcub_jdb_2576"
}

Taczyńska, K.. (2017). "A scattered mosaic of records and reminiscences": Ženi Lebl’s war odyssey in her personal writings. in An introspective approach to women’s intercultural fieldwork: female researchers’ narrations based on their intercultural experiences from the field
Warsaw :  Wydawnictwo Akademii Pedagogiki Specjalnej., 68-102.
https://hdl.handle.net/21.15107/rcub_jdb_2576

Taczyńska K. "A scattered mosaic of records and reminiscences": Ženi Lebl’s war odyssey in her personal writings. in An introspective approach to women’s intercultural fieldwork: female researchers’ narrations based on their intercultural experiences from the field. 2017;:68-102.
https://hdl.handle.net/21.15107/rcub_jdb_2576 .

Taczyńska, Katarzyna, ""A scattered mosaic of records and reminiscences": Ženi Lebl’s war odyssey in her personal writings" in An introspective approach to women’s intercultural fieldwork: female researchers’ narrations based on their intercultural experiences from the field (2017):68-102,
https://hdl.handle.net/21.15107/rcub_jdb_2576 .

TY  - CHAP
AU  - Taczyńska, Katarzyna
PY  - 2011
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2681
AB  - "Hekatomba przemocy, na czele z Holocaustem, stała się źródłem releksji dla
autorów tysięcy książek i artykułów napisanych w kilkunastu językach. Dziedzictwo wojny jest tematem niewyczerpanym, stanowiącym nieustanne wyzwanie dla literatury i dającym nam, czytelnikom, okazję do zastanowienia się nad rzeczami podstawowymi..."
AB  - In the article, I analyze Daša Drndić’s novel Sonnenschein. The basic storyline of this multifaceted novel is the main character’s affair with an SS soldier, Kurt Franz. The heroine gave birth to a son, who immediately after his birth was kidnapped by a Nazi service and given up for adoption in the project Lebensborn. Among the categories that are updated by Drndić the most important, from the standpoint of this work is an issue of shared responsibility and complicity, which the author considers not only the example of crime witnesses but also takes the next generation of descendants of Nazi victims and perpetrators perspective. When discussing the issues works by Antoni Kępiński, Maria Orwid, Małgorzata Melchior, and Viktor Frankl it turned out to be extremely valuable. Drndić, talking about the consequences of World War II is trying to sensitize the reader to such elements of the world that cannot be forgotten. Therefore, it seems that the Croatian writer’s novel suggests a reflection on the well-known problems. However, the author thanks to narrative techniques and extensive formal structure, complements this issue with her interpretation.
AB  - U članku analiziram roman Daše Drndić "Sonnenschein". Osnovna priča ovog višestrukog romana je afera glavnog lika sa SS vojnikom Kurtom Francom. Heroina je rodila sina, koji je odmah po rođenju kidnapovan od strane nacističke službe i dat na usvajanje u projektu "Lebensborn". Među kategorijama koje Drndić osavremenjuje najvažnije je, sa stanovišta ovog rada, pitanje zajedničke odgovornosti i saučesništva, koje autor razmatra ne samo na primeru svedoka zločina već uzima i narednu generaciju potomaka nacističkih žrtava i perspektiva izvršilaca. Kada se raspravljalo o temama, radovi Antonija Kepinskog, Marije Orvid, Malgožate Melhior i Viktora Frankla pokazali su se izuzetno vrednim. Drndić, govoreći o posledicama Drugog svetskog rata, pokušava da senzibiliše čitaoca za takve elemente sveta koji se ne mogu zaboraviti. Stoga se čini da roman hrvatske spisateljice sugeriše promišljanje o poznatim problemima. Međutim, autorka, zahvaljujući narativnim tehnikama i obimnoj formalnoj strukturi, svojim tumačenjem dopunjuje ovo pitanje.
PB  - Toruń : Interdyscyplinarne Koło Naukowe Doktorantów UMK
T2  - Poznać Bałkany: historia - polityka - kultura
T1  - „Rozpaczam, bo pamiętam”. Doświadczenia wojenne w powieści Dašy Drndić
T1  - “I despair because I remember”. Wartime experiences in Daša Drndić’s novel
T1  - „Očajavam jer se sećam“. Ratna iskustva u romanu Daše Drndić
SP  - 229
EP  - 242
UR  - https://hdl.handle.net/21.15107/rcub_jdb_2681
ER  - 

@inbook{
author = "Taczyńska, Katarzyna",
year = "2011",
abstract = ""Hekatomba przemocy, na czele z Holocaustem, stała się źródłem releksji dla
autorów tysięcy książek i artykułów napisanych w kilkunastu językach. Dziedzictwo wojny jest tematem niewyczerpanym, stanowiącym nieustanne wyzwanie dla literatury i dającym nam, czytelnikom, okazję do zastanowienia się nad rzeczami podstawowymi...", In the article, I analyze Daša Drndić’s novel Sonnenschein. The basic storyline of this multifaceted novel is the main character’s affair with an SS soldier, Kurt Franz. The heroine gave birth to a son, who immediately after his birth was kidnapped by a Nazi service and given up for adoption in the project Lebensborn. Among the categories that are updated by Drndić the most important, from the standpoint of this work is an issue of shared responsibility and complicity, which the author considers not only the example of crime witnesses but also takes the next generation of descendants of Nazi victims and perpetrators perspective. When discussing the issues works by Antoni Kępiński, Maria Orwid, Małgorzata Melchior, and Viktor Frankl it turned out to be extremely valuable. Drndić, talking about the consequences of World War II is trying to sensitize the reader to such elements of the world that cannot be forgotten. Therefore, it seems that the Croatian writer’s novel suggests a reflection on the well-known problems. However, the author thanks to narrative techniques and extensive formal structure, complements this issue with her interpretation., U članku analiziram roman Daše Drndić "Sonnenschein". Osnovna priča ovog višestrukog romana je afera glavnog lika sa SS vojnikom Kurtom Francom. Heroina je rodila sina, koji je odmah po rođenju kidnapovan od strane nacističke službe i dat na usvajanje u projektu "Lebensborn". Među kategorijama koje Drndić osavremenjuje najvažnije je, sa stanovišta ovog rada, pitanje zajedničke odgovornosti i saučesništva, koje autor razmatra ne samo na primeru svedoka zločina već uzima i narednu generaciju potomaka nacističkih žrtava i perspektiva izvršilaca. Kada se raspravljalo o temama, radovi Antonija Kepinskog, Marije Orvid, Malgožate Melhior i Viktora Frankla pokazali su se izuzetno vrednim. Drndić, govoreći o posledicama Drugog svetskog rata, pokušava da senzibiliše čitaoca za takve elemente sveta koji se ne mogu zaboraviti. Stoga se čini da roman hrvatske spisateljice sugeriše promišljanje o poznatim problemima. Međutim, autorka, zahvaljujući narativnim tehnikama i obimnoj formalnoj strukturi, svojim tumačenjem dopunjuje ovo pitanje.",
publisher = "Toruń : Interdyscyplinarne Koło Naukowe Doktorantów UMK",
journal = "Poznać Bałkany: historia - polityka - kultura",
booktitle = "„Rozpaczam, bo pamiętam”. Doświadczenia wojenne w powieści Dašy Drndić, “I despair because I remember”. Wartime experiences in Daša Drndić’s novel, „Očajavam jer se sećam“. Ratna iskustva u romanu Daše Drndić",
pages = "229-242",
url = "https://hdl.handle.net/21.15107/rcub_jdb_2681"
}

Taczyńska, K.. (2011). „Rozpaczam, bo pamiętam”. Doświadczenia wojenne w powieści Dašy Drndić. in Poznać Bałkany: historia - polityka - kultura
Toruń : Interdyscyplinarne Koło Naukowe Doktorantów UMK., 229-242.
https://hdl.handle.net/21.15107/rcub_jdb_2681

Taczyńska K. „Rozpaczam, bo pamiętam”. Doświadczenia wojenne w powieści Dašy Drndić. in Poznać Bałkany: historia - polityka - kultura. 2011;:229-242.
https://hdl.handle.net/21.15107/rcub_jdb_2681 .

Taczyńska, Katarzyna, "„Rozpaczam, bo pamiętam”. Doświadczenia wojenne w powieści Dašy Drndić" in Poznać Bałkany: historia - polityka - kultura (2011):229-242,
https://hdl.handle.net/21.15107/rcub_jdb_2681 .