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Приказ резултата 11-19 од 19
The Role of Polyphonic Singing in the Establishment of Interethnic Dialogue: Serbian-Jewish Baruch Brothers Choir from Belgrade
(Tbilisi : International Research Center for Traditional Polyphony of Tbilisi Vano Sarajishvili State Conservatoire, 2018)
This work focuses on the role of polyphonic singing in interethnic communication in the example of the Serbian-Jewish Baruch Brothers Choir from Belgrade. This choir was founded in 1879 as the Serbian-Jewish Singing Society, ...
Sefardske štampane ketube na Balkanu: vizuelna dekoracija kao odraz ideja bračne harmonije i privatno-javnog jevrejskog identiteta / Sephardic printed ketubbot on the Balkans: Pictorial decorations as a reflection of the ideas of marital harmony and the duality of private and public in Jewish community's identity
(Beograd : Muzej primenjene umetnosti, 2012)
Jevrejski bračni ugovori - ketube, imaju mnogovekovnu i bogatu tradiciju vizuelnog ukrašavanja i iluminacije. Ketube nastale krajem XIX i početkom XX veka, postaju serijski štampani obrasci, podražavajući ideale savremenih ...
Menora : zbornik radova [2010] / Menorah : collection of papers [2010]
(Beograd : Univerzitet u Beogradu Filozofski fakultet, 2010)
Od 2008. godine na Filozofskom fakultetu Univerziteta u Beogradu održane su četiri radionice pod naslovom "Jevrejska umetnost i tradicija". Ova, već tradicionalna okupljanja tokom zimskog raspusta,
pokazala su da je sve ...
Izložba crteža Moše Mevoraha "Oficiri Kraljevine Jugoslavije - Portreti iz nemačkih zarobljeničkih logora 1941" / Exhibition of drawings by Moše Mevorah "Officers of the Kingdom of Yugoslavia - Portraits from German prison camps in 1941"
(Beograd : Jevrejski istorijski muzej, 05-2015)
Moša Mevorah je još kao dečak, kako je sam isticao, crtao predmete i predele iz prirode. Sa petnaest godina počeo je da pohađa slikarsku školu Mihajla Petrovića. Za vreme boravka u Beču posećivao je časove slikanja na ...
Visualizing the past: the role of images in fostering the Sephardic identity of Sarajevo Jewry / Visualizando el pasado: el papel de las imágenes en la promoción de la identidad Sefardí de los Judíos de Sarajevo
(Madrid : Consejo Superior de Investigaciones Científicas, 2019)
This article explores the use of photographs in Moritz Levy’s book dedicated to the
history of Sephardic Jews in Bosnia, published in Sarajevo in 1911. While the photographs accompany the historical narrative and aim to ...
Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland / „Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj
(Warszawa : Instytut Sztuki Polskiej Akademii Nauk, 2014)
"The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide ...
Il Kal Grandi - Sarajevo's great Sephardic temple: at the crossroads between Orient and modernity / Il Kal Grandi - veliki sarajevski sefardski hram: na raskrsnici između Orijenta i modernosti
(Ramat Gan : M. Rajner, 2019)
The article aims to revisit Sarajevo’s Great Sephardic Temple (Il Kal Grandi), a little-known, short-lived twentieth-century synagogue. Built between 1926 and 1930 in Bosnia and Herzegovina’s capital, then part of the ...
Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" / Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
(Leiden : Koninklijke Brill NV, 2015)
Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...