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La música Sefardí en la cultura de los Judíos de Bosnia y Herzegovina / Sefardska muzika u kulturi Jevreja Bosne i Hercegovine
(Trieste : Mediterránea - Centro di studi interculturali, Dipartimento di studi umanistici - Università di Trieste, 2015)
Tanto en Bosnia y Herzegovina como en general, se ha escrito poco y de manera incompleta sobre la música sefardí como parte importante de la cultura judía. Esta valiosa materia exige un enfoque etnomusicológico exhaustivo ...
The Role of Amateur Theatre ’King David’ in the Preservation of Jewish Culture and Tradition / Uloga amaterskog pozorišta 'Kralj David' u očuvanju jevrejske kulture i tradicije
(Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA, 2017)
This work focuses on the role of the amateur theatre King David, founded in 1986 with the Jewish community of Belgrade, in the preservation of Jewish cultural heritage and establishing of intercultural dialogue primarily ...
Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland / „Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj
(Warszawa : Instytut Sztuki Polskiej Akademii Nauk, 2014)
"The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide ...
Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" / Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
(Leiden : Koninklijke Brill NV, 2015)
Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...