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Now showing items 131-139 of 139
Jevrejske vjerske škole u Sarajevu do 1941. godine: Sarajevska sefardska ješiva (La yeshiva de Saray) i Jevrejski srednji teološki seminar u Sarajevu (El seminario rabiniko Saraylisko) / Jewish religious schools in Sarajevo until 1941: the Sephardic yeshiva of Sarajevo (La yeshiva de Saray) and the Jewish secondary theological seminary in Sarajevo (El seminario rabbiniko Saraylisko)
(Tuzla : Univerzitet u Tuzli, Fakultet humanističkih i društvenih nauka, 2022)
U Sarajevu od vremena formiranja Jevrejske vjeroispovjedne opštine razvija se i vjerska
naobrazba djece. Prvo su se javile osnovne četverorazredne škole u koje su išla prevashodno
muška djeca. Kasnije, u XVII vijeku, ...
Yiddish and Judeo-Spanish as determinants of identity: as illustrated in the Jewish press of the first half of the twentieth century / Jidiš i judeo-španski kao odrednice identiteta: kako je ilustrovano u jevrejskoj štampi prve polovine dvadesetog veka
(Warszawa : Institute of Slavic Studies, Polish Academy of Sciences, 2016)
The paper shows an image and functions of Yiddish and Judeo-Spanish languages among Jewish Diaspora groups - the Balkan Sephardim and the Ashkenazim (the Ostjuden group) - in the period from the beginning of the twentieth ...
"Ne zaboravi" - osamdeset godina kasnije / "Don't forget" - eighty years later
(Novi Sad : Kulturni centar Vojvodine "Miloš Crnjanski", 2023)
"Tačno osamdeset godina prošlo je od vremena kada je dr Hinko Gotlib, zatočenik logora Kralјevica, napisao svoju jednočinku „Ne zaboravi” ili „Zapamti”, koja se danas po prvi put štampa. Purim, jevrejski praznik sećanja ...
The column "Para noče de šabat" as a local strategy of memory of the Judeo-Spanish tradition / Rubrika „Para noče de šabat“ kao lokalna strategija sećanja na judeo-špansku tradiciju
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The article elaborates on the attempts of the editors of the Jewish weekly "Jevrejski glass" (published in Sarajevo in 1928-1941) to support the fostering of the Sephardi tradition and Judeo-Spanish language during the ...
Bogoslužbeni jezici / Liturgical languages
(Novi Sad : CEIR ; Beograd : Institut društvenih nauka, 2018)
Jezik je instrument za proučavanje kulture i civilizacijskih domena. Pomoću jezika se proučavaju odgovarajući kulturni, odnosno civilizacijski segmenti. Jezik je pokazatelj pravog stanja stvari u duhovnom životu društva. ...
Rachel (Rae) Dalven: an accomplished female Romaniote historian, translator, and playwright / Rejčel (Rej) Dalven: uspešna istoričarka, prevodilac i dramski pisac
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
Rachel Dalven was a Romaniote Jew, translator of modern Greek poetry, playwright, and historian of the Jews of Ioannina, Greece. She was an educated and well-travelled independent woman, who brought to English-speaking ...
Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" / Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
(Leiden : Koninklijke Brill NV, 2015)
Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works ...
A positive image of Yiddish and Judeo-Spanish in the Jewish press of the first half of the 20th century: an overview / Pozitivna slika jidiša i judeo-španskog jezika u jevrejskoj štampi prve polovine 20. veka: pregled
(Berlin : Peter Lang Verlag, 2019)
The article presents discourse in the Jewish press on the question of the Yiddish and Judeo-Spanish languages and accordingly, their important roles in Ashkenazi (here precisely of so-called Westjuden) and Sephardi ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...