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Tailoring identities: displacement in the self-portrayals of Jewish women escaping to Albania / Krojenje identiteta: izmeštanje u samoportretima Jevrejki koje su pobegle u Albaniju
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
This article aims to analyze the works of Jewish women autobiographers who wrote about the Holocaust in the context of Albanian cultural tradition. My research appears in the framework of the wider Holocaust women’s ...
The hidden conflicts with an unorthodox translator: Dora Gabe’s contributions to the Jewish press in Bulgaria / Skriveni sukobi sa neortodoksnim prevodiocem: doprinosi Dore Gabe jevrejskoj štampi u Bugarskoj
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The article presents the contributions of Dora Gabe to the Jewish newspaper „Maccabi“, published in Sofia from 1920 to 1940. She cooperated with the paper both as a translator and an original author. Gabe’s texts in „Maccabi“ ...
A symphony of unique voices: the literary testimony of Jewish women writers in post-World War II Yugoslavia / Simfonija jedinstvenih glasova: književno svedočanstvo jevrejskih spisateljica u Jugoslaviji posle Drugog svetskog rata
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The first part of this article endeavours to give an idea about the scope and impact of dealing with Jews and Jewish issues in the literature of the former Yugoslavia, so as to provide a frame of reference for presenting ...
The educational philosophy of Yad Vashem / Obrazovna filozofija Jad Vašema
(Demirovac : JU Spomen-područje Donja Gradina, 2015)
The Holocaust is usually presented by the traditional way of historical research, analyzing different kinds of written documents, testimonies and pictures, to have a better understanding of the historical process of the ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...