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Holstenvil kao sociopolitička alegorija Vajmarske Nemačke u Vineovom filmu “Kabinet doktora Kaligarija”
Halstenwall as a sociopolitical allegory of Weimar Germany in Wiene's film "The cabinet of dr. Caligari"
dc.contributor | Melić, Katarina | |
dc.contributor | Nešić Pavković, Milena | |
dc.contributor | Bošković, Dragan | |
dc.creator | Petrović, Nina M. | |
dc.date.accessioned | 2023-12-28T21:07:27Z | |
dc.date.available | 2023-12-28T21:07:27Z | |
dc.date.issued | 2023 | |
dc.identifier.isbn | 978-86-80596-49-5 | |
dc.identifier.uri | https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2632 | |
dc.description.abstract | Film “Kabinet doktora Kaligarija” putem konfiguracije imaginarnog grada Holstenvila raskriva psihosocijalne kontradikcije unutar nemačke kulture, kao svojevrsna umetnička refleksija Vajmarske Nemačke. Konvencije žanra, narativna struktura filma, osvetljenje, scenografija, gluma, odabir muških i ženskih likova, psihološke i socijalne situacije kongruiraju sa ideološkom i istorijskom paradigmom tadašnje Nemačke. Praveći neobične preseke žanra, Vine uvodi i estetskopolitički kontekst pored istorijskog i psihološkog. Film prikazuje upliv avangardne umetnosti u politički i kulturni život i reprezentuje revidiranje realističke estetike, u kojem distrakcija i distorzija postaju povodi za ispitivanje delovanja masovne kulture kao prostora ideoloških prećutkivanja. | sr |
dc.description.abstract | The film "The cabinet of Dr Caligari" through the configuration of the imaginary town Halstenwall decrypts psychosocial contradictions within the German culture, as a form of artistic reflection of Weimar Germany. Conventions of the genre, the narrative structure of the film, lightning, scenography, acting, and selection of male and female actors, psychological and social situations agree with the ideological and historical paradigm of Germany of that time. By making an unusual cross-section of the genre, Wiene introduces also aesthetic-political context, next to historical and psychological. The film displays the influence of avant-garde art in political and cultural life and represents a revision of realism's aesthetic, in which, distraction and distortion become motives to research the activity of mass culture as a space of ideological cover-ups. | sr |
dc.language.iso | sr | sr |
dc.publisher | Kragujevac : Filološko-umetnički fakultet | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | Holokaust, sećanјe, kultura. (2) | sr |
dc.subject | Robert Vine | sr |
dc.subject | “Kabinet doktora Kaligarija” | sr |
dc.subject | Holstenvil | sr |
dc.subject | Vajmarska republika | sr |
dc.subject | ekspresionizam | sr |
dc.subject | nacizam | sr |
dc.subject | ideologija | sr |
dc.subject | autoritet | sr |
dc.subject | Robert Wiene | sr |
dc.subject | "The Cabinet of Dr. Caligari" | sr |
dc.subject | Weimar Germany | sr |
dc.subject | Halstenwall | sr |
dc.subject | expressionism | sr |
dc.subject | Nazism | sr |
dc.subject | ideology | sr |
dc.subject | authority | sr |
dc.title | Holstenvil kao sociopolitička alegorija Vajmarske Nemačke u Vineovom filmu “Kabinet doktora Kaligarija” | sr |
dc.title | Halstenwall as a sociopolitical allegory of Weimar Germany in Wiene's film "The cabinet of dr. Caligari" | sr |
dc.type | bookPart | sr |
dc.rights.license | BY-NC-ND | sr |
dc.identifier.fulltext | http://jevrejskadigitalnabiblioteka.rs/bitstream/id/8413/HolstenvilKaoSocijalistickaAlegorijaOCR.pdf | |
dc.type.version | publishedVersion | sr |
dc.citation.spage | 51 | |
dc.citation.epage | 61 | |
dc.description.other | Zbornik je rezultat istraživanja u okviru Studija Holokausta koje se pod pokrovitelјstvom Claims Conference (Conference on Jewish Material Claims Against Germany) izvode na Univerzitetu u Kragujevcu. | sr |
dc.description.other | The collection of papers is the result of research within Holocaust Studies, which are conducted at the University of Kragujevac under the support of the Claims Conference (Conference on Jewish Material Claims Against Germany). | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_jdb_2632 |