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Приказ резултата 11-19 од 19
Čuvari pripovijesti: srednjevjekovne iluminirane hagade / Guardians of story-telling: mediaeval illuminated Haggadot
(Beograd : Univerzitet u Beogradu Filozofski fakultet, 2010)
Ovaj rad posvećen je srednjevjekovnim iluminiranim hagadama nastalim na području Španije tokom XIV vijeka. U uvodnom dijelu dat je kratak pregled razvoja praznika Pesaha i nastanka prvih hagada. U drugom dijelu, predstavljena ...
Parohet kao slika: Šagalov Table des Prières (1908-1909) / Parohet as an image: Chagall's Table des Prières (1908-1909)
(Beograd : Univerzitet u Beogradu Filozofski fakultet, 2010)
Na slici Marka Šagala Le Table des Prières, parohet - zastor koji uobičajeno stoji u sinagogi, pokrivajući orman sa svicima Tore, javlja se kao zaseban umetnički predmet, van svoje ceremonijalne namene. Ova predstava, koja ...
Sefardske štampane ketube na Balkanu: vizuelna dekoracija kao odraz ideja bračne harmonije i privatno-javnog jevrejskog identiteta / Sephardic printed ketubbot on the Balkans: Pictorial decorations as a reflection of the ideas of marital harmony and the duality of private and public in Jewish community's identity
(Beograd : Muzej primenjene umetnosti, 2012)
Jevrejski bračni ugovori - ketube, imaju mnogovekovnu i bogatu tradiciju vizuelnog ukrašavanja i iluminacije. Ketube nastale krajem XIX i početkom XX veka, postaju serijski štampani obrasci, podražavajući ideale savremenih ...
Il Kal Grandi - Sarajevo's great Sephardic temple: at the crossroads between Orient and modernity / Il Kal Grandi - veliki sarajevski sefardski hram: na raskrsnici između Orijenta i modernosti
(Ramat Gan : M. Rajner, 2019)
The article aims to revisit Sarajevo’s Great Sephardic Temple (Il Kal Grandi), a little-known, short-lived twentieth-century synagogue. Built between 1926 and 1930 in Bosnia and Herzegovina’s capital, then part of the ...
Visualizing the past: the role of images in fostering the Sephardic identity of Sarajevo Jewry / Visualizando el pasado: el papel de las imágenes en la promoción de la identidad Sefardí de los Judíos de Sarajevo
(Madrid : Consejo Superior de Investigaciones Científicas, 2019)
This article explores the use of photographs in Moritz Levy’s book dedicated to the
history of Sephardic Jews in Bosnia, published in Sarajevo in 1911. While the photographs accompany the historical narrative and aim to ...
Wandalin Strzalecki's „Song on the destruction of Jerusalem". A homage to Maurycy Gottlieb and Poland / „Pesma o razaranju Jerusalima“ Vandalina Strzaleckog. Omaž Mauriciju Gotlibu i Poljskoj
(Warszawa : Instytut Sztuki Polskiej Akademii Nauk, 2014)
"The destruction of Jerusalem and its Temple has remained a constant cultural, religious, and theoretical preoccupation of Jews and non-Jews. Deeply enshrined in historical memory, the destruction has occasioned a wide ...
Izložba crteža Moše Mevoraha "Oficiri Kraljevine Jugoslavije - Portreti iz nemačkih zarobljeničkih logora 1941" / Exhibition of drawings by Moše Mevorah "Officers of the Kingdom of Yugoslavia - Portraits from German prison camps in 1941"
(Beograd : Jevrejski istorijski muzej, 05-2015)
Moša Mevorah je još kao dečak, kako je sam isticao, crtao predmete i predele iz prirode. Sa petnaest godina počeo je da pohađa slikarsku školu Mihajla Petrovića. Za vreme boravka u Beču posećivao je časove slikanja na ...
Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" / Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
(Leiden : Koninklijke Brill NV, 2015)
Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...