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Memory mediation by first- and second-generation survivors: Why they said nothing: mother and daughter on one and the same war by Magda Bošan Simin and Nevena Simin / Posredovanje u sećanju preživelih prve i druge generacije: Magda Bošan Simin i Nevena Simin "Zašto su ćutale: majka i ćerka o istom ratu"
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The reasons for researching the works of Yugoslav author Magda Bošan Simin are several: (1) her novel "When the Sour Cherries Bloom" (1958) was probably the first literary representation of the Holocaust written by a woman ...
A positive image of Yiddish and Judeo-Spanish in the Jewish press of the first half of the 20th century: an overview / Pozitivna slika jidiša i judeo-španskog jezika u jevrejskoj štampi prve polovine 20. veka: pregled
(Berlin : Peter Lang Verlag, 2019)
The article presents discourse in the Jewish press on the question of the Yiddish and Judeo-Spanish languages and accordingly, their important roles in Ashkenazi (here precisely of so-called Westjuden) and Sephardi ...
Orgullo Sefardí: la sociedad civil Judía y las redes asociativas en Sarajevo durante el periodo de entreguerras / Sefardski ponos: jevrejsko građansko društvo i društvene veze u Sarajevu između dva rata
(Belgrado : Embajada de España en Belgrado, 2015)
Este ensayo busca explorar el impacto que las circunstancias históricas del periodo de entreguerras produjeron en el avance de la autoconciencia del Sarajevo sefardí, y en la modernización de sus redes asociativas en la ...
The educational philosophy of Yad Vashem / Obrazovna filozofija Jad Vašema
(Demirovac : JU Spomen-područje Donja Gradina, 2015)
The Holocaust is usually presented by the traditional way of historical research, analyzing different kinds of written documents, testimonies and pictures, to have a better understanding of the historical process of the ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...