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Hello, goodbye - farewell ceremonies as part of organized Jewish emigration from Yugoslavia to Israel (1948-1952) / Hello, goodbye - oproštajne svečanosti u okvirima organizovanog iseljavanja Jevreja iz Jugoslavije u Izrael (1948-1952)
(Beograd : Filozofski fakultet - Katedra za opštu savremenu istoriju, 2017)
The successful completion of every wave of organized Jewish emigration leaving Yugoslavia for Israel between 1948 and 1952 was accompanied by a farewell ceremony. This was after the leading men of the Federation of Jewish ...
Sephardim, Ashkenazim and Non-Jewish Peoples: encounters across Europe / Sefardi, Aškenazi i nejevrejski narodi: susreti širom Evrope
(Warszawa : Institute of Slavic Studies, Polish Academy of Sciences, 2020)
The 9th issue of Colloquia Humanistica focuses in its entirety on Jewish/non-Jewish contacts. The papers, presentations of materials, discussions and reviews all share the theme of the entangled history of cohabitation. ...
Serbo-Croatian as a language of Sephardic literature: the cases of Isak Samokovlija and Jacques Confino / Srpskohrvatski kao jezik sefardske književnosti: slučajevi Isaka Samokovlije i Žaka Konfina
(Leiden : Koninklijke Brill NV, 2023)
The early twentieth century saw a rise in Jewish writers in what is traditionally considered non-Jewish languages in the Balkans like in the rest of Europe. In light of this phenomenon’s significance, we pose the question ...
Memory mediation by first- and second-generation survivors: Why they said nothing: mother and daughter on one and the same war by Magda Bošan Simin and Nevena Simin / Posredovanje u sećanju preživelih prve i druge generacije: Magda Bošan Simin i Nevena Simin "Zašto su ćutale: majka i ćerka o istom ratu"
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The reasons for researching the works of Yugoslav author Magda Bošan Simin are several: (1) her novel "When the Sour Cherries Bloom" (1958) was probably the first literary representation of the Holocaust written by a woman ...
Płeć emigracji. Bałkańskie Żydówki jako mediatorki wiedzy / Gender of emigration. Balkan Jewish women as mediators of knowledge
(Toruń : Archives of Polish Emigration at the University Library in Toruń, 2020)
Kobiece narracje, związane z transferem wiedzy, mogą stanowić interesujący klucz w interpretacji dziedzictwa judaizmu w wielopoziomowym kontekście kultur bałkańskich. Zapoczątkowany w tradycyjnych bałkańskich społecznościach ...
A positive image of Yiddish and Judeo-Spanish in the Jewish press of the first half of the 20th century: an overview / Pozitivna slika jidiša i judeo-španskog jezika u jevrejskoj štampi prve polovine 20. veka: pregled
(Berlin : Peter Lang Verlag, 2019)
The article presents discourse in the Jewish press on the question of the Yiddish and Judeo-Spanish languages and accordingly, their important roles in Ashkenazi (here precisely of so-called Westjuden) and Sephardi ...
Orgullo Sefardí: la sociedad civil Judía y las redes asociativas en Sarajevo durante el periodo de entreguerras / Sefardski ponos: jevrejsko građansko društvo i društvene veze u Sarajevu između dva rata
(Belgrado : Embajada de España en Belgrado, 2015)
Este ensayo busca explorar el impacto que las circunstancias históricas del periodo de entreguerras produjeron en el avance de la autoconciencia del Sarajevo sefardí, y en la modernización de sus redes asociativas en la ...
The educational philosophy of Yad Vashem / Obrazovna filozofija Jad Vašema
(Demirovac : JU Spomen-područje Donja Gradina, 2015)
The Holocaust is usually presented by the traditional way of historical research, analyzing different kinds of written documents, testimonies and pictures, to have a better understanding of the historical process of the ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...