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Yiddish and Judeo-Spanish as determinants of identity: as illustrated in the Jewish press of the first half of the twentieth century / Jidiš i judeo-španski kao odrednice identiteta: kako je ilustrovano u jevrejskoj štampi prve polovine dvadesetog veka
(Warszawa : Institute of Slavic Studies, Polish Academy of Sciences, 2016)
The paper shows an image and functions of Yiddish and Judeo-Spanish languages among Jewish Diaspora groups - the Balkan Sephardim and the Ashkenazim (the Ostjuden group) - in the period from the beginning of the twentieth ...
The column "Para noče de šabat" as a local strategy of memory of the Judeo-Spanish tradition / Rubrika „Para noče de šabat“ kao lokalna strategija sećanja na judeo-špansku tradiciju
(Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego (Jagiellonian University Press), 2018)
The article elaborates on the attempts of the editors of the Jewish weekly "Jevrejski glass" (published in Sarajevo in 1928-1941) to support the fostering of the Sephardi tradition and Judeo-Spanish language during the ...
Invoking Samuel Hirszenberg’s artistic legacy - encountering "Exile" / Pozivanje na umetničko nasleđe Samuela Hiršenberga - susret sa „Izgnanstvom“
(Leiden : Koninklijke Brill NV, 2015)
Samuel Hirszenberg (1865-1908), the Łódź-born artist, created several signature works of art that would emerge as emblematic of the Jewish historical experience of the twentieth century. "Exile" (1904) is one of these works ...
A positive image of Yiddish and Judeo-Spanish in the Jewish press of the first half of the 20th century: an overview / Pozitivna slika jidiša i judeo-španskog jezika u jevrejskoj štampi prve polovine 20. veka: pregled
(Berlin : Peter Lang Verlag, 2019)
The article presents discourse in the Jewish press on the question of the Yiddish and Judeo-Spanish languages and accordingly, their important roles in Ashkenazi (here precisely of so-called Westjuden) and Sephardi ...
The return of the wandering Jew(s) in Samuel Hirszenberg's art / Povratak lutajućih Jevreja(a) u umetnosti Samuela Hiršenberga
(Liverpool : Liverpool University Press, 2011)
"Few Jewish artists of the turn of the twentieth century created works that became classics in their lifetime. One who did was Samuel Hirszenberg, the Lodz-born (1865) artist, who trained in Cracow, Munich, and Paris, and ...