TY  - ADVS
AU  - Stipić, Davor
PY  - 2023
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2463
AB  - U okviru aktivnosti „Zoom Šabata“, u organizaciji Jevrejske opštine Beograd i neposrednoj tehničkoj realizaciji Rake-Rahamima Levija, 26. maja 2023. godine gost i predavač ’Zooma’ bio je Davor Stipić, doktor istorijskih nauka čija se doktorska disertacija, istraživanja, radovi i predavanja odnose na jevrejsko nasleđe i jevrejske teme. Za ovu prezentaciju pripremio je i govorio o Holokaustu na filmu.  Naglasio je da su oblici i žanrovi prikazivanja i predstavljanja Holokausta na filmu u poslednjih 80 godina raznovrsni i da se ta tema počela predstavljati i pre samog početka Drugog svetskog rata i neposrednog sprovođenja Holokausta. Istakao je da je to jedna od najrasprostranjenijih tema svetske kinematografije i da postoje brojni filmovi kojima Holokaust nije osnovna tema ali sadrže neke reference, asocijacije, različite transžanrovske i transliterarne asocijacije na Holokaust što je predstavio primerima iz nekoliko filmova. Posebno je naglasio da se tema Holokausta u svetskim filmovima pojavljuje u skoro svim filmskim žanrovima, pa tako i u onim u kojima se apsolutno ne očekuje kao što su to filmovi sa temom humora. Kroz nekoliko konkretnih primera iz filmova upoznao je slušaoce sa mnogim aspektima prisutnosti Holokausta u filmu.
AB  - As part of the "Zoom Shabbat" activity, organized by the Jewish Community of Belgrade and the technical support of Raka-Rahamim Levi, on May 26, 2023, the guest and lecturer was Davor Stipić, doctor of historical sciences, whose doctoral dissertation, and research, papers and lectures related to Jewish heritage and Jewish topics. For this presentation, he prepared and talked about the Holocaust in the film. He emphasized that the forms and genres of depicting and presenting the Holocaust in film in the last 80 years have been diverse and that the topic began to be presented even before the beginning of the Second World War and the Holocaust. He pointed out that it is one of the most widespread themes of world cinematography and that there are numerous films in which the Holocaust is not the main theme, but they contain some references, associations, and various trans-genre and trans-literary associations to the Holocaust, which he presented with examples from several films. He especially emphasized that the theme of the Holocaust in world films appears in almost all film genres, including those in which it is not expected such as films with a humorous theme. Through several specific examples from the movies, he introduced the listeners to many aspects of the presence of the Holocaust in the film.
PB  - Beograd : R. R. Levi
T1  - Holokaust na filmu
T1  - Holocaust in the film
UR  - https://hdl.handle.net/21.15107/rcub_jdb_2463
ER  - 

@misc{
author = "Stipić, Davor",
year = "2023",
abstract = "U okviru aktivnosti „Zoom Šabata“, u organizaciji Jevrejske opštine Beograd i neposrednoj tehničkoj realizaciji Rake-Rahamima Levija, 26. maja 2023. godine gost i predavač ’Zooma’ bio je Davor Stipić, doktor istorijskih nauka čija se doktorska disertacija, istraživanja, radovi i predavanja odnose na jevrejsko nasleđe i jevrejske teme. Za ovu prezentaciju pripremio je i govorio o Holokaustu na filmu.  Naglasio je da su oblici i žanrovi prikazivanja i predstavljanja Holokausta na filmu u poslednjih 80 godina raznovrsni i da se ta tema počela predstavljati i pre samog početka Drugog svetskog rata i neposrednog sprovođenja Holokausta. Istakao je da je to jedna od najrasprostranjenijih tema svetske kinematografije i da postoje brojni filmovi kojima Holokaust nije osnovna tema ali sadrže neke reference, asocijacije, različite transžanrovske i transliterarne asocijacije na Holokaust što je predstavio primerima iz nekoliko filmova. Posebno je naglasio da se tema Holokausta u svetskim filmovima pojavljuje u skoro svim filmskim žanrovima, pa tako i u onim u kojima se apsolutno ne očekuje kao što su to filmovi sa temom humora. Kroz nekoliko konkretnih primera iz filmova upoznao je slušaoce sa mnogim aspektima prisutnosti Holokausta u filmu., As part of the "Zoom Shabbat" activity, organized by the Jewish Community of Belgrade and the technical support of Raka-Rahamim Levi, on May 26, 2023, the guest and lecturer was Davor Stipić, doctor of historical sciences, whose doctoral dissertation, and research, papers and lectures related to Jewish heritage and Jewish topics. For this presentation, he prepared and talked about the Holocaust in the film. He emphasized that the forms and genres of depicting and presenting the Holocaust in film in the last 80 years have been diverse and that the topic began to be presented even before the beginning of the Second World War and the Holocaust. He pointed out that it is one of the most widespread themes of world cinematography and that there are numerous films in which the Holocaust is not the main theme, but they contain some references, associations, and various trans-genre and trans-literary associations to the Holocaust, which he presented with examples from several films. He especially emphasized that the theme of the Holocaust in world films appears in almost all film genres, including those in which it is not expected such as films with a humorous theme. Through several specific examples from the movies, he introduced the listeners to many aspects of the presence of the Holocaust in the film.",
publisher = "Beograd : R. R. Levi",
title = "Holokaust na filmu, Holocaust in the film",
url = "https://hdl.handle.net/21.15107/rcub_jdb_2463"
}

Stipić, D.. (2023). Holokaust na filmu. 
Beograd : R. R. Levi..
https://hdl.handle.net/21.15107/rcub_jdb_2463

Stipić D. Holokaust na filmu. 2023;.
https://hdl.handle.net/21.15107/rcub_jdb_2463 .

Stipić, Davor, "Holokaust na filmu" (2023),
https://hdl.handle.net/21.15107/rcub_jdb_2463 .

TY  - THES
AU  - Stipić, Davor
PY  - 2022-03-21
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/1960
AB  - U doktorskoj disertaciji se analizira kolektivno i individualno sećanje na Holokaust u Jugoslaviji u periodu od 1945. do 1991. godine. Fokus istraživanja usmeren je na različite pojavne oblike pamćenja: individualno, društveno, političko i kulturno, odnosno različite aspekte kolektivne svesti o prošlosti, kao što su spomenici, javne komemoracije, umetnost (film, književnost, vajarstvo), memoaristika, školstvo i obrazovanje i muzeji. Glavni cilj rada je da prikaže i objasni način na koji je kreirano kolektivno sećanje na genocid nad Jevrejima, da označi glavne nosioce, čuvare i kreatore sećanja, prouči njihovu političku ideologiju i društvenu praksu, a naročito, da istakne ulogu države u čitavom ovom procesu. Na taj način, disertacija predstavlja doprinos proučavanju politike prošlosti i ideološke instrumentalizacije istorije u jugoslovenskom socijalizmu, kao i doprinos razumevanju međunarodnog položaja Jugoslavije, njenih veza sa Izraelom i Svetskim jevrejskim kongresom i odnosa komunističke vlasti prema jevrejskoj zajednici i prema tragičnom nasleđu zločina iz perioda Drugog svetskog rata. Na oblikovanje društvenog i političkog odnosa prema Holokaustu i istorijske slike Drugog svetskog rata, najviše su uticali država i Komunistička partija, posredstvom različitih organizacija kao što su Savez boraca i Socijalistički savez radnog naroda Jugoslavije ili posredstvom institucija sistema, zbog čega je generalizovana i delimično zamagljena slika Holokausta postala deo kolektivnog nacionalnog istorijskog iskustva. Sa druge strane, iako su u kreiranju kolektivnog pamćenja država i partija imale najviše uticaja, afirmaciji Holokausta kao autentičnog fenomena savremenog doba, najveći doprinos, u jugoslovenskom slučaju, dala je jevrejska zajednica, koja je u kontekstu kvalitativne procene njenog angažovanja po ovom pitanju, predstavljala najznačajnijeg promotera i nosioca sećanja na jevrejske žrtve.
AB  - This dissertation analyzes the phenomenon of Holocaust remembrance in socialist Yugoslavia in a period from 1945 to 1991. The thesis focuses on different formats of memory: individual, social, political and cultural memory, and also on different aspects of collective historical consciousness, such as monuments, public commemorations, museums, a system of education and art including film, literature and sculpture. The main goal of the dissertation is to analyze and explain the ways and mechanisms of creating collective Holocaust memory, to mark the most prominent agents, keepers and creators of remembrance, to study their political ideology and memorial practice and, above all, to underline the role of the State and the Communist Party of Yugoslavia in this process.
Regarding that, this thesis is a contribution to the researching politics of past and ideological use and abuse of history in Yugoslav socialism, as well as the contribution to the understanding of Yugoslav authentic position in terms of international relations, Yugoslavian connections with Israel and World Jewish Congress and political attitudes of Yugoslav communist authorities toward the Jewish community and the difficult and tragic heritage of war crimes committed during the World War II. The State and the Communist party had the greatest influence on creating collective memory on the Holocaust and historical image of World War II. Through the activities of the Federation of Yugoslav War veterans (SUBNOR) Socialist Alliance of Working People of Yugoslavia (SSRNJ) and official institutions, the State and the Party shaped the generalized and blurred image of civil victimhood that became the part of national historical experience. On the other side, the greatest qualitative contribution to the affirmation of the Holocaust as the unique and original phenomenon of the 20th century was given by the Jewish community in Yugoslavia, that was, at the same time, the most important, as Jay Winter call it, agent of memory, although its’ social influence was much less intensive than the influence of the State and the Party.
PB  - Beograd : Univerzitet u Beogradu, Filozofski fakultet
T2  - Univerzitet u Beogradu
T1  - Odnos prema Holokaustu u Jugoslaviji 1945-1991: doktorska disertacija
T1  - Holocaust Remembrance in Yugoslavia 1945-1991: Doctoral dissertation
SP  - 1
EP  - 403
UR  - https://hdl.handle.net/21.15107/rcub_jdb_1960
ER  - 

@phdthesis{
author = "Stipić, Davor",
year = "2022-03-21",
abstract = "U doktorskoj disertaciji se analizira kolektivno i individualno sećanje na Holokaust u Jugoslaviji u periodu od 1945. do 1991. godine. Fokus istraživanja usmeren je na različite pojavne oblike pamćenja: individualno, društveno, političko i kulturno, odnosno različite aspekte kolektivne svesti o prošlosti, kao što su spomenici, javne komemoracije, umetnost (film, književnost, vajarstvo), memoaristika, školstvo i obrazovanje i muzeji. Glavni cilj rada je da prikaže i objasni način na koji je kreirano kolektivno sećanje na genocid nad Jevrejima, da označi glavne nosioce, čuvare i kreatore sećanja, prouči njihovu političku ideologiju i društvenu praksu, a naročito, da istakne ulogu države u čitavom ovom procesu. Na taj način, disertacija predstavlja doprinos proučavanju politike prošlosti i ideološke instrumentalizacije istorije u jugoslovenskom socijalizmu, kao i doprinos razumevanju međunarodnog položaja Jugoslavije, njenih veza sa Izraelom i Svetskim jevrejskim kongresom i odnosa komunističke vlasti prema jevrejskoj zajednici i prema tragičnom nasleđu zločina iz perioda Drugog svetskog rata. Na oblikovanje društvenog i političkog odnosa prema Holokaustu i istorijske slike Drugog svetskog rata, najviše su uticali država i Komunistička partija, posredstvom različitih organizacija kao što su Savez boraca i Socijalistički savez radnog naroda Jugoslavije ili posredstvom institucija sistema, zbog čega je generalizovana i delimično zamagljena slika Holokausta postala deo kolektivnog nacionalnog istorijskog iskustva. Sa druge strane, iako su u kreiranju kolektivnog pamćenja država i partija imale najviše uticaja, afirmaciji Holokausta kao autentičnog fenomena savremenog doba, najveći doprinos, u jugoslovenskom slučaju, dala je jevrejska zajednica, koja je u kontekstu kvalitativne procene njenog angažovanja po ovom pitanju, predstavljala najznačajnijeg promotera i nosioca sećanja na jevrejske žrtve., This dissertation analyzes the phenomenon of Holocaust remembrance in socialist Yugoslavia in a period from 1945 to 1991. The thesis focuses on different formats of memory: individual, social, political and cultural memory, and also on different aspects of collective historical consciousness, such as monuments, public commemorations, museums, a system of education and art including film, literature and sculpture. The main goal of the dissertation is to analyze and explain the ways and mechanisms of creating collective Holocaust memory, to mark the most prominent agents, keepers and creators of remembrance, to study their political ideology and memorial practice and, above all, to underline the role of the State and the Communist Party of Yugoslavia in this process.
Regarding that, this thesis is a contribution to the researching politics of past and ideological use and abuse of history in Yugoslav socialism, as well as the contribution to the understanding of Yugoslav authentic position in terms of international relations, Yugoslavian connections with Israel and World Jewish Congress and political attitudes of Yugoslav communist authorities toward the Jewish community and the difficult and tragic heritage of war crimes committed during the World War II. The State and the Communist party had the greatest influence on creating collective memory on the Holocaust and historical image of World War II. Through the activities of the Federation of Yugoslav War veterans (SUBNOR) Socialist Alliance of Working People of Yugoslavia (SSRNJ) and official institutions, the State and the Party shaped the generalized and blurred image of civil victimhood that became the part of national historical experience. On the other side, the greatest qualitative contribution to the affirmation of the Holocaust as the unique and original phenomenon of the 20th century was given by the Jewish community in Yugoslavia, that was, at the same time, the most important, as Jay Winter call it, agent of memory, although its’ social influence was much less intensive than the influence of the State and the Party.",
publisher = "Beograd : Univerzitet u Beogradu, Filozofski fakultet",
journal = "Univerzitet u Beogradu",
title = "Odnos prema Holokaustu u Jugoslaviji 1945-1991: doktorska disertacija, Holocaust Remembrance in Yugoslavia 1945-1991: Doctoral dissertation",
pages = "1-403",
url = "https://hdl.handle.net/21.15107/rcub_jdb_1960"
}

Stipić, D.. (2022-03-21). Odnos prema Holokaustu u Jugoslaviji 1945-1991: doktorska disertacija. in Univerzitet u Beogradu
Beograd : Univerzitet u Beogradu, Filozofski fakultet., 1-403.
https://hdl.handle.net/21.15107/rcub_jdb_1960

Stipić D. Odnos prema Holokaustu u Jugoslaviji 1945-1991: doktorska disertacija. in Univerzitet u Beogradu. 2022;:1-403.
https://hdl.handle.net/21.15107/rcub_jdb_1960 .

Stipić, Davor, "Odnos prema Holokaustu u Jugoslaviji 1945-1991: doktorska disertacija" in Univerzitet u Beogradu (2022-03-21):1-403,
https://hdl.handle.net/21.15107/rcub_jdb_1960 .

TY  - ADVS
AU  - Stipić, Davor
PY  - 2021-07-02
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/1744
AB  - Davor Stipić, istraživač saradnik na Institutu za noviju istoriju Srbije i doktorant na Odeljenju za istoriju na Filozofskom fakultetu Univerziteta u Beogradu, održao je  predavanje na temu "Memorijali žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991" u kome je govorio o kolektivnom sećanju na Holokaust u Jugoslaviji i razvoju memorijalnih praksi i spomenika posvećenih stradalim Jevrejima. Davor Stipić je autor nekoliko naučnih radova o kulturi sećanja na Holokaust u jugoslovenskom socijalizmu, a njegove oblasti profesionalnog interesovanja su Holokaust i istorija jevrejske zajednice na prostoru nekadašnje Jugoslavije. Do sada je učestvovao i na nekoliko Nagradnih konkursa u organizaciji Saveza jevrejskih opština Srbije, a dva rada su mu i nagrađena.
AB  - Davor Stipić, the research associate at the Institute of Recent History of Serbia and doctoral student at the Department of History at the Faculty of Philosophy, University of Belgrade, gave a lecture on "Memorials to Holocaust Victims in Socialist Yugoslavia 1945-1991" in which he spoke about the collective memory of the Holocaust in  Yugoslavia and the development of memorial practices and monuments dedicated to the Jewish victims. Davor Stipić is the author of several scientific papers on the culture of remembering the Holocaust in Yugoslav socialism, and his areas of professional interest are the Holocaust and the history of the Jewish community in the former Yugoslavia. So far, he has participated in several award competitions organized by the Federation of Jewish Communities of Serbia, and two of his works have been awarded.
PB  - Beograd : R. R. Levi
T1  - Spomenici žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991
T1  - Monuments to the victims of the Holocaust in socialist Yugoslavia 1945-1991
UR  - https://hdl.handle.net/21.15107/rcub_jdb_1744
ER  - 

@misc{
author = "Stipić, Davor",
year = "2021-07-02",
abstract = "Davor Stipić, istraživač saradnik na Institutu za noviju istoriju Srbije i doktorant na Odeljenju za istoriju na Filozofskom fakultetu Univerziteta u Beogradu, održao je  predavanje na temu "Memorijali žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991" u kome je govorio o kolektivnom sećanju na Holokaust u Jugoslaviji i razvoju memorijalnih praksi i spomenika posvećenih stradalim Jevrejima. Davor Stipić je autor nekoliko naučnih radova o kulturi sećanja na Holokaust u jugoslovenskom socijalizmu, a njegove oblasti profesionalnog interesovanja su Holokaust i istorija jevrejske zajednice na prostoru nekadašnje Jugoslavije. Do sada je učestvovao i na nekoliko Nagradnih konkursa u organizaciji Saveza jevrejskih opština Srbije, a dva rada su mu i nagrađena., Davor Stipić, the research associate at the Institute of Recent History of Serbia and doctoral student at the Department of History at the Faculty of Philosophy, University of Belgrade, gave a lecture on "Memorials to Holocaust Victims in Socialist Yugoslavia 1945-1991" in which he spoke about the collective memory of the Holocaust in  Yugoslavia and the development of memorial practices and monuments dedicated to the Jewish victims. Davor Stipić is the author of several scientific papers on the culture of remembering the Holocaust in Yugoslav socialism, and his areas of professional interest are the Holocaust and the history of the Jewish community in the former Yugoslavia. So far, he has participated in several award competitions organized by the Federation of Jewish Communities of Serbia, and two of his works have been awarded.",
publisher = "Beograd : R. R. Levi",
title = "Spomenici žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991, Monuments to the victims of the Holocaust in socialist Yugoslavia 1945-1991",
url = "https://hdl.handle.net/21.15107/rcub_jdb_1744"
}

Stipić, D.. (2021-07-02). Spomenici žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991. 
Beograd : R. R. Levi..
https://hdl.handle.net/21.15107/rcub_jdb_1744

Stipić D. Spomenici žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991. 2021;.
https://hdl.handle.net/21.15107/rcub_jdb_1744 .

Stipić, Davor, "Spomenici žrtvama Holokausta u socijalističkoj Jugoslaviji 1945-1991" (2021-07-02),
https://hdl.handle.net/21.15107/rcub_jdb_1744 .

TY  - JOUR
AU  - Stipić, Davor
PY  - 2021
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/2557
AB  - Počevši od prve polovine pedesetih godina 20. veka, a naročito u decenijama koje su sledile, Ana Frank je postala jedan od najprepoznatljivijih simbola progona i stradanja Jevreja u toku Drugog svetskog rata. Od kada je, 1956. godine, prvi put objavljen u Jugoslaviji, „Dnevnik Ane Frank“ stekao je kultni status u jugoslovenskoj kulturi sećanja na civilne žrtve rata. Članak predstavlja prikaz i analizu različitih načina društvene tematizacije lika, dela i nasleđa Ane Frank od izdavanja knjige, snimanja filma i pozorišnih adaptacija Dnevnika koje su izvođene širom Jugoslavije, preko reakcija javnosti na pokušaje osporavanja autentičnosti Dnevnika u Nemačkoj i na sudske procese protiv odgovornih za hapšenje i deportaciju porodice Frank, pa sve do pokušaja domaće štampe da pronađe retke Jugoslovene koji su lično, uglavnom iz logora, poznavali Anu Frank, ili pak čija je sudbina makar u nečemu podsećala na sudbinu najpoznatije žrtve Holokausta.
AB  - The Diary of Anne Frank has been translated into more than 70 languages and sold more than 30.000.000 copies so far which means that it has become one of the most influential books ever. Yugoslavia was one of the first communist states in which the Diary was published, and, at the same time, one of just a few countries in the world that produced the movie based on the book. At the beginning of the 1960s Ana Frank had already become a well-known symbol of civil victimhood and suffering during the war and the Holocaust. Over the decades, the newspapers in Yugoslavia were publishing articles about different aspects of the Anne Frank phenomenon regularly, they were interested in different topics such as the post-war activity of Anna̕s father Otto Frank and his foundation, the trials against the ex-Nazi officer responsible for the arrest and deportation of Frank family, controversies about the authenticity of the Diary, but also the press occasionally took an effort to find Yugoslav citizens who believed to know personally while in concentration camp, but also those whose life story was in some parts similar to the fate of Anne Frank. Despite all the popularity that Anna Frank̕s Diary has gained, the Yugoslavian culture of remembrance has never succeeded in incorporating some similar domestic examples of victimhood into the collective historical consciousness. The main reason for this was the nature of Yugoslav politics of remembrance that was mostly dedicated to the cult of struggle, resistance, and heroism, while the civil victims were present in commemorative forms only in the form and amount in which the ideology of Revolution and Pepople̕s Liberation Struggle demanded it.
PB  - Beograd : Filozofski fakultet - Katedra za opštu savremenu istoriju
T2  - Godišnjak za društvenu istoriju
T1  - Društvena percepcija „Dnevnika Ane Frank“ u jugoslovenskom socijalizmu
T1  - The social perception of Anne Frank’s Diary in Yugoslav communism
SP  - 45
EP  - 71
IS  - 1
VL  - 28
UR  - https://hdl.handle.net/21.15107/rcub_jdb_2557
ER  - 

@article{
author = "Stipić, Davor",
year = "2021",
abstract = "Počevši od prve polovine pedesetih godina 20. veka, a naročito u decenijama koje su sledile, Ana Frank je postala jedan od najprepoznatljivijih simbola progona i stradanja Jevreja u toku Drugog svetskog rata. Od kada je, 1956. godine, prvi put objavljen u Jugoslaviji, „Dnevnik Ane Frank“ stekao je kultni status u jugoslovenskoj kulturi sećanja na civilne žrtve rata. Članak predstavlja prikaz i analizu različitih načina društvene tematizacije lika, dela i nasleđa Ane Frank od izdavanja knjige, snimanja filma i pozorišnih adaptacija Dnevnika koje su izvođene širom Jugoslavije, preko reakcija javnosti na pokušaje osporavanja autentičnosti Dnevnika u Nemačkoj i na sudske procese protiv odgovornih za hapšenje i deportaciju porodice Frank, pa sve do pokušaja domaće štampe da pronađe retke Jugoslovene koji su lično, uglavnom iz logora, poznavali Anu Frank, ili pak čija je sudbina makar u nečemu podsećala na sudbinu najpoznatije žrtve Holokausta., The Diary of Anne Frank has been translated into more than 70 languages and sold more than 30.000.000 copies so far which means that it has become one of the most influential books ever. Yugoslavia was one of the first communist states in which the Diary was published, and, at the same time, one of just a few countries in the world that produced the movie based on the book. At the beginning of the 1960s Ana Frank had already become a well-known symbol of civil victimhood and suffering during the war and the Holocaust. Over the decades, the newspapers in Yugoslavia were publishing articles about different aspects of the Anne Frank phenomenon regularly, they were interested in different topics such as the post-war activity of Anna̕s father Otto Frank and his foundation, the trials against the ex-Nazi officer responsible for the arrest and deportation of Frank family, controversies about the authenticity of the Diary, but also the press occasionally took an effort to find Yugoslav citizens who believed to know personally while in concentration camp, but also those whose life story was in some parts similar to the fate of Anne Frank. Despite all the popularity that Anna Frank̕s Diary has gained, the Yugoslavian culture of remembrance has never succeeded in incorporating some similar domestic examples of victimhood into the collective historical consciousness. The main reason for this was the nature of Yugoslav politics of remembrance that was mostly dedicated to the cult of struggle, resistance, and heroism, while the civil victims were present in commemorative forms only in the form and amount in which the ideology of Revolution and Pepople̕s Liberation Struggle demanded it.",
publisher = "Beograd : Filozofski fakultet - Katedra za opštu savremenu istoriju",
journal = "Godišnjak za društvenu istoriju",
title = "Društvena percepcija „Dnevnika Ane Frank“ u jugoslovenskom socijalizmu, The social perception of Anne Frank’s Diary in Yugoslav communism",
pages = "45-71",
number = "1",
volume = "28",
url = "https://hdl.handle.net/21.15107/rcub_jdb_2557"
}

Stipić, D.. (2021). Društvena percepcija „Dnevnika Ane Frank“ u jugoslovenskom socijalizmu. in Godišnjak za društvenu istoriju
Beograd : Filozofski fakultet - Katedra za opštu savremenu istoriju., 28(1), 45-71.
https://hdl.handle.net/21.15107/rcub_jdb_2557

Stipić D. Društvena percepcija „Dnevnika Ane Frank“ u jugoslovenskom socijalizmu. in Godišnjak za društvenu istoriju. 2021;28(1):45-71.
https://hdl.handle.net/21.15107/rcub_jdb_2557 .

Stipić, Davor, "Društvena percepcija „Dnevnika Ane Frank“ u jugoslovenskom socijalizmu" in Godišnjak za društvenu istoriju, 28, no. 1 (2021):45-71,
https://hdl.handle.net/21.15107/rcub_jdb_2557 .

TY  - JOUR
AU  - Stipić, Davor
PY  - 2021
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/1951
AB  - This article will try to examine the phenomenon of memorial forests and their role in the creation of the Holocaust memory of the Jewish community in Yugoslavia. Our intention is to present the Yugoslav Jewish tradition of planting memorial forests and analyze its symbolical background. The Martyrs’ Forest in Israel will be used as an example of a newly-founded place of remembrance and considering that the main aim of the article is to show, in comparison with other examples, what kind of symbolical rituals were used to provide a historical context and legitimacy for new memorials.
AB  - Članak predstavlja pokušaj da se naučno ispita fenomen memorijalnih šuma i njihova uloga u konstruisanju sećanja na Holokaust među jugoslovenskim Jevrejima. Namera nam je da objasnimo tradiciju sađenja memorijanih šuma u jevrejskoj zajednici u Jugoslaviji, kao i da obrazložimo njihovu simboličku pozadinu pa je stoga glavni cilj članka da, poredeći ih sa drugim primerima, objasni simboličke rituale koji su korišćeni da bi se novim memorijalima obezbedio istorijski kontekst. Koristeći primer ove akcije, članak predstavlja i pregled saradnje između jugoslovenskih Jevreja, njihovih sunarodnika koji
su emigrirali u Izrael i SAD i organizacije Keren Kajemet LeIzrael, u zajedničkim naporima da sačuvaju sećanje na sve koji su stradali u Holokaustu.
PB  - Beograd : Institut za noviju istoriju Srbije
T2  - Tokovi istorije
T1  - The Yugoslav planting campaign in Martyrs’ Forest 1952-1955: symbolism, rituals and meaning
T1  - Akcija sađenja jugoslovenskog dela Šume mučenika 1952-1955: simbolika, rituali i značenje
DO  - 10.31212/tokovi.2021.3.sti.145-169
SP  - 145
EP  - 169
IS  - 3
ER  - 

@article{
author = "Stipić, Davor",
year = "2021",
abstract = "This article will try to examine the phenomenon of memorial forests and their role in the creation of the Holocaust memory of the Jewish community in Yugoslavia. Our intention is to present the Yugoslav Jewish tradition of planting memorial forests and analyze its symbolical background. The Martyrs’ Forest in Israel will be used as an example of a newly-founded place of remembrance and considering that the main aim of the article is to show, in comparison with other examples, what kind of symbolical rituals were used to provide a historical context and legitimacy for new memorials., Članak predstavlja pokušaj da se naučno ispita fenomen memorijalnih šuma i njihova uloga u konstruisanju sećanja na Holokaust među jugoslovenskim Jevrejima. Namera nam je da objasnimo tradiciju sađenja memorijanih šuma u jevrejskoj zajednici u Jugoslaviji, kao i da obrazložimo njihovu simboličku pozadinu pa je stoga glavni cilj članka da, poredeći ih sa drugim primerima, objasni simboličke rituale koji su korišćeni da bi se novim memorijalima obezbedio istorijski kontekst. Koristeći primer ove akcije, članak predstavlja i pregled saradnje između jugoslovenskih Jevreja, njihovih sunarodnika koji
su emigrirali u Izrael i SAD i organizacije Keren Kajemet LeIzrael, u zajedničkim naporima da sačuvaju sećanje na sve koji su stradali u Holokaustu.",
publisher = "Beograd : Institut za noviju istoriju Srbije",
journal = "Tokovi istorije",
title = "The Yugoslav planting campaign in Martyrs’ Forest 1952-1955: symbolism, rituals and meaning, Akcija sađenja jugoslovenskog dela Šume mučenika 1952-1955: simbolika, rituali i značenje",
doi = "10.31212/tokovi.2021.3.sti.145-169",
pages = "145-169",
number = "3"
}

Stipić, D.. (2021). The Yugoslav planting campaign in Martyrs’ Forest 1952-1955: symbolism, rituals and meaning. in Tokovi istorije
Beograd : Institut za noviju istoriju Srbije.(3), 145-169.
https://doi.org/10.31212/tokovi.2021.3.sti.145-169

Stipić D. The Yugoslav planting campaign in Martyrs’ Forest 1952-1955: symbolism, rituals and meaning. in Tokovi istorije. 2021;(3):145-169.
doi:10.31212/tokovi.2021.3.sti.145-169 .

Stipić, Davor, "The Yugoslav planting campaign in Martyrs’ Forest 1952-1955: symbolism, rituals and meaning" in Tokovi istorije, no. 3 (2021):145-169,
https://doi.org/10.31212/tokovi.2021.3.sti.145-169 . .

TY  - JOUR
AU  - Stipić, Davor
PY  - 2020
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/1961
AB  - U želji da očuva sećanje na svoje sunarodnike stradale u Holokaustu, već tokom prvih posleratnih godina jevrejska zajednica u Jugoslaviji je počela da gradi spomenike posvećene stradalim jevrejskim žrtvama i borcima. Među spomenicima podignutim u ovom periodu, svojim umetničkim ali i političkim značajem, isticao se Spomenik jevrejskim borcima i žrtvama fašizma, izgrađen na Sefardskom groblju u Beogradu 1952. godine, koji je bio posvećen svim Jevrejima sa teritorije SR Srbije stradalim u Drugom svetskom ratu. Cilj ovog članka je da kroz analizu konkursa za podizanje tog spomenika, na osnovu građe iz Arhiva Jevrejskog istorijskog muzeja u Beogradu, doprinese proučavanju kulture sećanja na žrtve Holokausta u jugoslovenskom socijalizmu, ali i da prikaže umetnička, društvena i ideološka stremljenja u vremenu kada se Jugoslavija, nakon raskida s Informbiroom, našla na političkoj prekretnici. Proučavanjem simbolike i estetike pomenutog dela, cilj nam je da doprinesemo boljem razumevanju arhitekte Bogdana Bogdanovića na početku njegovog stvaralačkog rada.
AB  - In their wish to preserve the memory of the compatriots who lost their lives in the Holocaust, the Jewish community in Yugoslavia started erecting monuments to Jewish civil victims and fallen soldiers as early as the first few post-WWII years. The Monument to the Fallen Jewish Soldiers and Victims of Fascism put up in the Sephardi cemetery in Belgrade in 1952, potent with artistic and political significance, stood out from the rest of the monuments of the period. It was dedicated to all the Jews from the Socialist Republic of Serbia who lost their lives in World War II. The purpose of this article is to analyse the competition for the design of the monument by examining the documents from the Archives of the Jewish Historical Museum in Belgrade, thus making a contribution to the research of the culture of Holocaust remembrance in the Yugoslav Socialism, but also to show artistic, social and ideological aspirations of the time when, after the Cominform schism, Yugoslavia was at political crossroads. By exploring the symbolism and aesthetic values of this work, the research presented in this paper attempts to enhance the understanding of architect Bogdan Bogdanović's early creative efforts.
PB  - Beograd : Institut za noviju istoriju Srbije
T2  - Nasleđe
T1  - Konkurs za podizanje Spomenika jevrejskim borcima i žrtvama fašizma na Sefardskom groblju u Beogradu, 1951-1952. godine
T1  - 1951-1952 competition for the Monument to the fallen Jewish soldiers and victims of fascism in the Sephardi cemetery in Belgrade
DO  - 10.5937/nasledje2021177S
SP  - 177
EP  - 190
IS  - 21
ER  - 

@article{
author = "Stipić, Davor",
year = "2020",
abstract = "U želji da očuva sećanje na svoje sunarodnike stradale u Holokaustu, već tokom prvih posleratnih godina jevrejska zajednica u Jugoslaviji je počela da gradi spomenike posvećene stradalim jevrejskim žrtvama i borcima. Među spomenicima podignutim u ovom periodu, svojim umetničkim ali i političkim značajem, isticao se Spomenik jevrejskim borcima i žrtvama fašizma, izgrađen na Sefardskom groblju u Beogradu 1952. godine, koji je bio posvećen svim Jevrejima sa teritorije SR Srbije stradalim u Drugom svetskom ratu. Cilj ovog članka je da kroz analizu konkursa za podizanje tog spomenika, na osnovu građe iz Arhiva Jevrejskog istorijskog muzeja u Beogradu, doprinese proučavanju kulture sećanja na žrtve Holokausta u jugoslovenskom socijalizmu, ali i da prikaže umetnička, društvena i ideološka stremljenja u vremenu kada se Jugoslavija, nakon raskida s Informbiroom, našla na političkoj prekretnici. Proučavanjem simbolike i estetike pomenutog dela, cilj nam je da doprinesemo boljem razumevanju arhitekte Bogdana Bogdanovića na početku njegovog stvaralačkog rada., In their wish to preserve the memory of the compatriots who lost their lives in the Holocaust, the Jewish community in Yugoslavia started erecting monuments to Jewish civil victims and fallen soldiers as early as the first few post-WWII years. The Monument to the Fallen Jewish Soldiers and Victims of Fascism put up in the Sephardi cemetery in Belgrade in 1952, potent with artistic and political significance, stood out from the rest of the monuments of the period. It was dedicated to all the Jews from the Socialist Republic of Serbia who lost their lives in World War II. The purpose of this article is to analyse the competition for the design of the monument by examining the documents from the Archives of the Jewish Historical Museum in Belgrade, thus making a contribution to the research of the culture of Holocaust remembrance in the Yugoslav Socialism, but also to show artistic, social and ideological aspirations of the time when, after the Cominform schism, Yugoslavia was at political crossroads. By exploring the symbolism and aesthetic values of this work, the research presented in this paper attempts to enhance the understanding of architect Bogdan Bogdanović's early creative efforts.",
publisher = "Beograd : Institut za noviju istoriju Srbije",
journal = "Nasleđe",
title = "Konkurs za podizanje Spomenika jevrejskim borcima i žrtvama fašizma na Sefardskom groblju u Beogradu, 1951-1952. godine, 1951-1952 competition for the Monument to the fallen Jewish soldiers and victims of fascism in the Sephardi cemetery in Belgrade",
doi = "10.5937/nasledje2021177S",
pages = "177-190",
number = "21"
}

Stipić, D.. (2020). Konkurs za podizanje Spomenika jevrejskim borcima i žrtvama fašizma na Sefardskom groblju u Beogradu, 1951-1952. godine. in Nasleđe
Beograd : Institut za noviju istoriju Srbije.(21), 177-190.
https://doi.org/10.5937/nasledje2021177S

Stipić D. Konkurs za podizanje Spomenika jevrejskim borcima i žrtvama fašizma na Sefardskom groblju u Beogradu, 1951-1952. godine. in Nasleđe. 2020;(21):177-190.
doi:10.5937/nasledje2021177S .

Stipić, Davor, "Konkurs za podizanje Spomenika jevrejskim borcima i žrtvama fašizma na Sefardskom groblju u Beogradu, 1951-1952. godine" in Nasleđe, no. 21 (2020):177-190,
https://doi.org/10.5937/nasledje2021177S . .

TY  - JOUR
AU  - Stipić, Davor
PY  - 2016
UR  - https://www.jevrejskadigitalnabiblioteka.rs/handle/123456789/1962
AB  - Članak je pokušaj da se prikažu i analiziraju metodi i aktivnosti putem kojih je jevrejska zajednica u Jugoslaviji, u toku prve posleratne decenije, nastojala da najpre formira, a potom i sačuva sećanje na Holokaust. Glavni cilj ovog rada jeste da pokaže da su jugoslovenski Jevreji već u prvim posleratnim godinama postavili čvrste osnove sopstvene kulture sećanja na rat i stradanje, i na taj način na jugoslovenskom slučaju opovrgne široko rasprostranjeno mišljenje o tome da su četrdesete i pedesete godine 20. veka bile vreme u kome se preživeli nisu usudili da govore o Holokaustu i sopstvenom stradanju. U obzir su uzeti različiti aspekti ovih nastojanja, kao što su memorijalizacije, objavljivanja publikacija i osnivanja ustanova poput Jevrejskog istorijskog muzeja i njegovog arhiva.
AB  - Under the influence of different historiographical interpretations in the late 90s in the
the professional community was actualized the idea arose in the sixties among American Jews. The idea is that a decade and a half after the end of the war was a time of the conscious and deliberate suppression of Holocaust Remembrance. In modern historiography, numerous experts from David Cesarani to Hasia Diner constantly and successfully sought to prove that the Jewish individuals and organizations since the end of the war tried not to remain silent and wanted
to speak about the horrors of Hitler’s concentration camp. An important place, especially in the socialist bloc, among those who spoke about their own suffering, almost immediately after the war, were Jews of Yugoslavia and this article deals specifically with Jewish activity from 1945 to 1955. Already in Yugoslavia in 1946 was built the first modest monuments, in 1948 was formally established the Jewish Historical Museum and collecting documentation about the suffering and memories of survivors began soon after the restoration work of the Association of Municipalities in the early post-war years. The unveiling ceremony of five monuments in five Yugoslav cities in September and October 1952 was the culmination of efforts that the genocide of the Jews never forgets. Also, it was one of the most important an initiative of memorialization of Holocaust victims at that time in Eastern Europe, due to which the Federation of Jewish Communities of Yugoslavia became one of the pioneers in the development of awareness of the Holocaust as a phenomenon in the socialist part of
Europe, at a time when in most countries of the Eastern bloc Stalin’s anti-Semitic purges were in full swing.
PB  - Beograd : Udruženje za društvenu istoriju
T2  - Godišnjak za društvenu istoriju
T1  - U borbi protiv zaborava: Jevrejska zajednica u Jugoslaviji i očuvanje sećanja na Holokaust 1945-1955
T1  - Fight against forgetting: the Jewish community in Yugoslavia and preserving the memory of the Holocaust 1945-1955
SP  - 91
EP  - 121
IS  - 2
VL  - 23
UR  - https://hdl.handle.net/21.15107/rcub_jdb_1962
ER  - 

@article{
author = "Stipić, Davor",
year = "2016",
abstract = "Članak je pokušaj da se prikažu i analiziraju metodi i aktivnosti putem kojih je jevrejska zajednica u Jugoslaviji, u toku prve posleratne decenije, nastojala da najpre formira, a potom i sačuva sećanje na Holokaust. Glavni cilj ovog rada jeste da pokaže da su jugoslovenski Jevreji već u prvim posleratnim godinama postavili čvrste osnove sopstvene kulture sećanja na rat i stradanje, i na taj način na jugoslovenskom slučaju opovrgne široko rasprostranjeno mišljenje o tome da su četrdesete i pedesete godine 20. veka bile vreme u kome se preživeli nisu usudili da govore o Holokaustu i sopstvenom stradanju. U obzir su uzeti različiti aspekti ovih nastojanja, kao što su memorijalizacije, objavljivanja publikacija i osnivanja ustanova poput Jevrejskog istorijskog muzeja i njegovog arhiva., Under the influence of different historiographical interpretations in the late 90s in the
the professional community was actualized the idea arose in the sixties among American Jews. The idea is that a decade and a half after the end of the war was a time of the conscious and deliberate suppression of Holocaust Remembrance. In modern historiography, numerous experts from David Cesarani to Hasia Diner constantly and successfully sought to prove that the Jewish individuals and organizations since the end of the war tried not to remain silent and wanted
to speak about the horrors of Hitler’s concentration camp. An important place, especially in the socialist bloc, among those who spoke about their own suffering, almost immediately after the war, were Jews of Yugoslavia and this article deals specifically with Jewish activity from 1945 to 1955. Already in Yugoslavia in 1946 was built the first modest monuments, in 1948 was formally established the Jewish Historical Museum and collecting documentation about the suffering and memories of survivors began soon after the restoration work of the Association of Municipalities in the early post-war years. The unveiling ceremony of five monuments in five Yugoslav cities in September and October 1952 was the culmination of efforts that the genocide of the Jews never forgets. Also, it was one of the most important an initiative of memorialization of Holocaust victims at that time in Eastern Europe, due to which the Federation of Jewish Communities of Yugoslavia became one of the pioneers in the development of awareness of the Holocaust as a phenomenon in the socialist part of
Europe, at a time when in most countries of the Eastern bloc Stalin’s anti-Semitic purges were in full swing.",
publisher = "Beograd : Udruženje za društvenu istoriju",
journal = "Godišnjak za društvenu istoriju",
title = "U borbi protiv zaborava: Jevrejska zajednica u Jugoslaviji i očuvanje sećanja na Holokaust 1945-1955, Fight against forgetting: the Jewish community in Yugoslavia and preserving the memory of the Holocaust 1945-1955",
pages = "91-121",
number = "2",
volume = "23",
url = "https://hdl.handle.net/21.15107/rcub_jdb_1962"
}

Stipić, D.. (2016). U borbi protiv zaborava: Jevrejska zajednica u Jugoslaviji i očuvanje sećanja na Holokaust 1945-1955. in Godišnjak za društvenu istoriju
Beograd : Udruženje za društvenu istoriju., 23(2), 91-121.
https://hdl.handle.net/21.15107/rcub_jdb_1962

Stipić D. U borbi protiv zaborava: Jevrejska zajednica u Jugoslaviji i očuvanje sećanja na Holokaust 1945-1955. in Godišnjak za društvenu istoriju. 2016;23(2):91-121.
https://hdl.handle.net/21.15107/rcub_jdb_1962 .

Stipić, Davor, "U borbi protiv zaborava: Jevrejska zajednica u Jugoslaviji i očuvanje sećanja na Holokaust 1945-1955" in Godišnjak za društvenu istoriju, 23, no. 2 (2016):91-121,
https://hdl.handle.net/21.15107/rcub_jdb_1962 .